当加拉遇见科洛美塔:西尔维娅·芒特的关于达林缪斯的纪录片

Q4 Arts and Humanities

Bulletin of Spanish Visual Studies Pub Date : 2021-03-11 DOI:10.1080/24741604.2021.1880203

D. Keown

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引用次数: 0

摘要

西尔维娅·芒特在1982年由弗朗切斯克·贝特鲁搬上银幕的罗多雷达的《迪亚曼的公主》中饰演的民间女主人公科洛梅塔，成为了加泰罗尼亚受压迫的邻家女孩的典型角色。因此，毫不奇怪，作为导演，她2003年的纪录片的主题应该是完全相反的:Dalí的不可抑制的和强大的缪斯，加拉。在这篇文章中，芒特不仅为这些“vamp”、“sphynx”和“猩红女士”进行了辩护——正如缺乏安全感的男性心理在传记中想象的那样——而且还为加泰罗尼亚女性提供了另一种角色榜样，并以纪录片模式中值得欣赏的专业知识，为加泰罗尼亚国家电影提供了重新定义。

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When Gala met Colometa: Silvia Munt’s Documentary on the Dalinian Muse

Abstract As Colometa, folk-heroine of Rodoreda’s La plaça del Diamant brought to the screen in 1982 by Francesc Betriu, Silvia Munt became typecast as Catalonia’s downtrodden girl next door. So it is not surprising that, as director, the subject of her 2003 documentary should be the complete antithesis: Dalí’s irrepressible and empowered muse, Gala. In this essay, Munt not only offers a defence of this vamp, sphynx and scarlet-lady—as imagined biographically by the insecure male psyche—but offers an alternative role model for Catalan women and, with appreciable expertise in the documentary mode, offers a re-definition of Catalan national cinema.

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来源期刊

Bulletin of Spanish Visual Studies Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.20

自引率

0.00%

发文量