实施犯罪者研究。聚焦读者对乔纳森·利特尔《善良的人》的反应

IF 0.3 2区 文学 0 LANGUAGE & LINGUISTICS
Julia de Jonge, Serena Demichelis, S. Rebora, M. Salgaro
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引用次数: 2

摘要

在大屠杀研究领域,过去十年目睹了对肇事者形象的转向,由于伦理、法律和心理原因,肇事者迄今很少受到关注。在同理心的研究中也可以观察到类似的转变。在这种背景下,“消极共情”的概念,即与道德上消极的虚构人物分享情感,已经成为越来越多的讨论话题。对于这一领域的研究,乔纳森·利特尔的小说《善良的人》(2006)由于其内在的文学品质以及商业和评论界的成功,占据了一个特殊的位置。这部小说讲述了一名党卫军军官马克西米利安·奥韦的回忆,他参加了大屠杀。我们用这本小说的一些段落进行了一项实验,来测试读者的移情反应。段落在两种情况下呈现:作为虚构文本或作为自传的一部分。结果表明,小说化对道德脱离有显著影响;与阅读自传的读者相比,阅读虚构故事的读者经历了更高水平的道德脱离。此外,更高水平的道德脱离导致对小说主人公的同理心水平显著提高。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Operationalizing perpetrator studies. Focusing readers’ reactions to The Kindly Ones by Jonathan Littell
Abstract Within the field of Holocaust Studies the last decade has witnessed a turn to the figure of the perpetrator, who had hitherto received little attention due to ethical, legal and psychological reasons. A similar turn can also be observed in connection with the study of empathy. In this context, the concept of “negative empathy,” intended as a sharing of emotions with morally negative fictional characters, has become an increasingly discussed topic. For research in this area, the novel The Kindly Ones (2006) by Jonathan Littell takes up a privileged position in light of its intrinsic literary quality and due to its commercial and critical success. This novel recounts the memories of an SS-officer, Maximilian Aue, who participated in the Shoah. We have carried out an experiment using some passages of this novel to test the empathic reactions of (104) readers. Passages were presented under either of two conditions: as a fictional text or as part of an autobiography. Results showed that fictionalization has a significant effect on moral disengagement; readers who read the narrative presented to them as fictional experienced higher levels of moral disengagement compared to readers in the autobiography condition. Moreover, higher levels of moral disengagement led to significantly higher levels of empathy for the protagonist of the novel.
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来源期刊
CiteScore
0.90
自引率
10.00%
发文量
19
期刊介绍: The aim of the Journal of Literary Semantics is to concentrate the endeavours of theoretical linguistics upon those texts traditionally classed as ‘literary’, in the belief that such texts are a central, not a peripheral, concern of linguistics. This journal, founded by Trevor Eaton in 1972 and edited by him for thirty years, has pioneered and encouraged research into the relations between linguistics and literature. It is widely read by theoretical and applied linguists, narratologists, poeticians, philosophers and psycholinguists. JLS publishes articles on all aspects of literary semantics. The ambit is inclusive rather than doctrinaire.
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