{"title":"公司掌权:约翰·卡斯爵士建筑与设计学院在复杂与阻力之间的项目","authors":"S. Puddu, Francesco Zuddas","doi":"10.1080/20507828.2021.1888212","DOIUrl":null,"url":null,"abstract":"Abstract In the mid-1990s, Bill Readings compared universities to business corporations, sounding the alarm for an incipient corporatization of the academy that has provoked commentary since. Under neoliberalism, public universities are run as private corporations striving to survive in the increasingly competitive higher education market. The spatial side of this phenomenon is an architectural portfolio consisting of corporate style reception desks, turnstile-controlled entrances, bookable meeting rooms, and café spaces to learn. This article examines “the slow death” of the university as a space of scholarship focusing on the Sir John Cass Faculty of Architecture and Design (or Cass) in Central House (2012–17), London. As a public university acting like a real estate operator in a large metropolis, the Cass displays both complicity and resistance toward the managerial logics of universities. Its resistance lies in the architectural reconfiguration of Central House, which was eventually defeated by the institution’s real estate ambitions.","PeriodicalId":42146,"journal":{"name":"Architecture and Culture","volume":"9 1","pages":"154 - 171"},"PeriodicalIF":1.1000,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20507828.2021.1888212","citationCount":"1","resultStr":"{\"title\":\"Corporation Takes Command: The Project of the Sir John Cass Faculty of Architecture and Design between Complicity and Resistance\",\"authors\":\"S. Puddu, Francesco Zuddas\",\"doi\":\"10.1080/20507828.2021.1888212\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract In the mid-1990s, Bill Readings compared universities to business corporations, sounding the alarm for an incipient corporatization of the academy that has provoked commentary since. Under neoliberalism, public universities are run as private corporations striving to survive in the increasingly competitive higher education market. The spatial side of this phenomenon is an architectural portfolio consisting of corporate style reception desks, turnstile-controlled entrances, bookable meeting rooms, and café spaces to learn. This article examines “the slow death” of the university as a space of scholarship focusing on the Sir John Cass Faculty of Architecture and Design (or Cass) in Central House (2012–17), London. As a public university acting like a real estate operator in a large metropolis, the Cass displays both complicity and resistance toward the managerial logics of universities. Its resistance lies in the architectural reconfiguration of Central House, which was eventually defeated by the institution’s real estate ambitions.\",\"PeriodicalId\":42146,\"journal\":{\"name\":\"Architecture and Culture\",\"volume\":\"9 1\",\"pages\":\"154 - 171\"},\"PeriodicalIF\":1.1000,\"publicationDate\":\"2021-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/20507828.2021.1888212\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Architecture and Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/20507828.2021.1888212\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHITECTURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Architecture and Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20507828.2021.1888212","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
Corporation Takes Command: The Project of the Sir John Cass Faculty of Architecture and Design between Complicity and Resistance
Abstract In the mid-1990s, Bill Readings compared universities to business corporations, sounding the alarm for an incipient corporatization of the academy that has provoked commentary since. Under neoliberalism, public universities are run as private corporations striving to survive in the increasingly competitive higher education market. The spatial side of this phenomenon is an architectural portfolio consisting of corporate style reception desks, turnstile-controlled entrances, bookable meeting rooms, and café spaces to learn. This article examines “the slow death” of the university as a space of scholarship focusing on the Sir John Cass Faculty of Architecture and Design (or Cass) in Central House (2012–17), London. As a public university acting like a real estate operator in a large metropolis, the Cass displays both complicity and resistance toward the managerial logics of universities. Its resistance lies in the architectural reconfiguration of Central House, which was eventually defeated by the institution’s real estate ambitions.
期刊介绍:
Architecture and Culture, the international award winning, peer-reviewed journal of the Architectural Humanities Research Association, investigates the relationship between architecture and the culture that shapes and is shaped by it. Whether culture is understood extensively, as shared experience of everyday life, or in terms of the rules and habits of different disciplinary practices, Architecture and Culture asks how architecture participates in and engages with it – and how both culture and architecture might be reciprocally transformed. Architecture and Culture publishes exploratory research that is purposively imaginative, rigorously speculative, visually and verbally stimulating. From architects, artists and urban designers, film-makers, animators and poets, from historians of culture and architecture, from geographers, anthropologists and other social scientists, from thinkers and writers of all kinds, established and new, it solicits essays, critical reviews, interviews, fictional narratives in both images and words, art and building projects, and design hypotheses. Architecture and Culture aims to promote a conversation between all those who are curious about what architecture might be and what it can do.