连续编织:女性主义实验电影制作谱系

IF 0.1 3区艺术学 0 FILM, RADIO, TELEVISION

CAMERA OBSCURA Pub Date : 2021-12-01 DOI:10.1215/02705346-9349385

Sarah Keller

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引用次数: 0

摘要

在2019年去世的前一年，芭芭拉·哈默(Barbara Hammer)将四个未完成项目的片段以及她从韦克斯纳艺术中心(Wexner Center for the Arts)获得的资金捐给了四位电影制作人，供他们随意使用。她拍摄的危地马拉市场和妇女编织的镜头被送给了德博拉·斯特拉特曼，后者的电影《芭芭拉》(美国，2019年)结合了她的两位艺术前辈哈默和玛雅·德伦的作品。利用哈默1975年拍摄的镜头以及德伦作品中的段落、图像和声音，斯特拉特曼创作了一部电影，强调了女权主义实验艺术的几种趋势，并延续了这三位女性艺术的遗产。合作，协作，和富有成效的碎片化，它尊重它是其中一部分的创造性血统。

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Continuous Weave: Feminist Experimental Filmmaking Genealogies

In the year before her death in 2019, Barbara Hammer gave footage from four incomplete projects as well as funds she had procured from the Wexner Center for the Arts to four fellow filmmakers to use as they wished. Her footage of a Guatemalan marketplace and women weaving was given to Deborah Stratman, whose film Vever (for Barbara) (US, 2019) combines the work of two of her artistic predecessors, Hammer and Maya Deren. Making use of the footage Hammer shot in 1975 as well as passages, images, and sound from Deren's work, Stratman creates a film that underlines several tendencies of feminist experimental art and continues the legacy of all three women's art. Cooperative, collaborative, and productively fragmented, it honors the creative lineage of which it is a part.

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来源期刊

CAMERA OBSCURA FILM, RADIO, TELEVISION-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.