动物园光学:范德梅尔《南方河段》三部曲中的变异人种学和非人类视觉

IF 0.2 4区 文学 0 LITERATURE
J.Y.F. Chow
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引用次数: 0

摘要

摘要:关于非人类动物的文学、理论和动物学讨论往往默认为行为学观察;也就是说,人类如何观察和理解非人类行为。这篇文章改写了这一范式,以强调非人类动物突变体如何参与他们自己的行为学观察,特别关注《湮灭》——这既是杰夫·范德梅尔的小说,也是亚历克斯·加兰德改编的电影。它从《湮灭》中变异生物的全景存在中推断出动物园光学的概念,为人类世的观察和体验提供了一种新的方法。动物园光学使我们在气候变化时代必须应对的环境、社会和行星现实的表象清晰可见。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Zoo-Optics: Mutant Ethology and Nonhuman Visualities in VanderMeer's Southern Reach Trilogy
ABSTRACT:Literary, theoretical, and zoological discussions of the nonhuman animal often default to ethological observation; that is, how humans observe and make sense of nonhuman behavior. This essay reworks that paradigm to highlight how nonhuman animal mutants participate in their own form of ethological observation with particular attention to Annihilation—both Jeff Vandermeer's novel and the film adaptation by Alex Garland. It theorizes a notion of zoo-optics from the seemingly panoptic presence of mutated creatures in Annihilation to offer a new method of seeing and experiencing in the Anthropocene. Zoo-optics makes visible theentanglement of environmental, social, and planetary realities that we must navigate in our era of climate change.
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CiteScore
0.40
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75
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