收集清代培岑碑

IF 0.1 0 ASIAN STUDIES
Weitian Yan
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引用次数: 0

摘要

本文考察了18世纪裴岑碑收藏中的三个小插曲。位于新疆巴克柯尔的汉朝纪念碑“裴岑碑”告诉了137年一项未被记载的对雄军事成就。我首先讨论了宫廷官员如何利用这件文物来支持清朝向中亚的扩张。第二集确定了裴岑碑的四种主要复制品——临摹品、复制品、追踪复制品和赝品——并考察了它们对当时金石学界的各种作用。最后,通过书法家的创新抄录,分析了这一碑文的过渡风格。我认为,在这些政治、社会和艺术背景下对裴岑碑的挪用,恰恰表明了收藏是清代的一种发明形式。收藏家们发明了裴岑碑,作为繁荣的象征、文物和书法的典范。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Collecting the Pei Cen Stele in Qing China
This article investigates three vignettes in the collecting of the Pei Cen Stele during the eighteenth century. A Han-dynasty monument in Barköl, Xinjiang, the Pei Cen Stele tells of an unrecorded military achievement against the Xiongnu in 137. I begin by discussing how court officials used this artefact to support the Qing imperial expansion into central Asia. The second episode identifies four major types of copies of the Pei Cen Stele—facsimiles, replicas, tracing copies, and forgeries—and examines their varied functions to the epigraphic community at the time. The final section analyses the transitional style of this inscription through calligraphers’ innovative transcriptions. Appropriations of the Pei Cen Stele in these political, social, and artistic contexts, I argue, pinpoint the idea of collecting as a form of invention in the Qing dynasty. Collectors invented the Pei Cen Stele as a symbol of prosperity, a cultural relic, and a calligraphy exemplar.
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来源期刊
Ming Qing Yanjiu
Ming Qing Yanjiu Multiple-
CiteScore
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