在文本和图像之间：对保罗·高更绘画标题翻译的思考

Q3 Arts and Humanities

Studia Romanica Posnaniensia Pub Date : 2021-12-22 DOI:10.14746/strop.2021.484.007

Barbara Walkiewicz

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引用次数: 0

摘要

本文的目的是分析保罗·高更的绘画标题从塔希提语和法语翻译成波兰语时所使用的翻译策略。我们将分析艺术家直接画在画布上的标题，使它们像图像本身一样不变。分析的翻译来自高更的艺术和印象派作品，这些作品自20世纪60年代以来在波兰出版。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Entre texte et image : réflexions sur la traduction des titres de tableaux de Paul Gauguin

The aim of this article is to analyse the translation strategies used to translate Paul Gauguin’s painting titles from Tahitian and French to Polish. We will analyse the titles that the artist painted directly on the canvases by making them invariant just like the image itself. The translations analysed come from works on Gauguin’s art and Impressionism, published in Polish since the 1960s of the 20th century.

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来源期刊

Studia Romanica Posnaniensia Arts and Humanities-Literature and Literary Theory

CiteScore

0.10

自引率

0.00%

发文量

审稿时长

24 weeks