以“飞办公桌”和佩戴奖牌为荣?通过这位英国皇家空军老兵的眼睛,对军人自豪感的拷问

Q1 Arts and Humanities
Paul Higate
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引用次数: 0

摘要

摘要本文以作者作为前英国皇家空军服役人员和后来的批判社会学家的身份为框架,分别考虑了自豪感在使军事行为者和英国皇家空军例外化和合法化方面的表演作用。在这样做的过程中,包括了自动人种学材料,以揭示这位英国皇家空军职员平凡而不起眼的经历,他作为一名军事演员的生活世界与广大公众对他的想象大相径庭。为了证明这种认知上的差异,人们关注英国皇家空军基础训练的相对轻松性、在战区服役的假设困难与其现实之间的紧张关系,以及种族主义和个人机构在英国皇家空军中的作用。这些反思不是骄傲,而是作者的内疚和羞耻的混合,后者植根于一个暴力行为正常化、成员受到赞扬的机构所扮演的政治角色。这篇文章更广泛、规范的目标是由我自己适度的尝试推动的,我试图通过揭示自豪感在推崇一个受公众尊敬的机构方面所做的工作来实现非军事化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Proud to ‘fly a desk’ and wear a medal? Interrogations of military pride through the eyes of the RAF veteran
ABSTRACT Framed by the author’s status as a former Royal Air Force (RAF) service-person and subsequently as a critical sociologist, this article considers the performative role of pride in both exceptionalizing and legitimizing military actors and the RAF, respectively. In so doing, auto-ethnographic material is included to reveal the mundane and unremarkable, yet illustrative experiences of the RAF clerk whose lifeworld as a military actor in a support role differs sharply from how he or she might be imagined by the wider public. In order to demonstrate this disparity in perception, attention is paid to the relative ease of RAF basic training, tensions between the assumed hardships of active service in a war zone and its reality, and the role of racism and individual agency in the RAF. Rather than pride, these reflections invoke a mix of authorial guilt and shame, the latter of which is rooted in the political role played by an institution whose violence is normalized and its members eulogized. The wider, normative aim of the article is animated by my own modest attempt to demilitarize through revealing the work pride does in canonizing an institution revered by the public.
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来源期刊
Critical Military Studies
Critical Military Studies Arts and Humanities-History
CiteScore
1.90
自引率
0.00%
发文量
20
期刊介绍: Critical Military Studies provides a rigorous, innovative platform for interdisciplinary debate on the operation of military power. It encourages the interrogation and destabilization of often taken-for-granted categories related to the military, militarism and militarization. It especially welcomes original thinking on contradictions and tensions central to the ways in which military institutions and military power work, how such tensions are reproduced within different societies and geopolitical arenas, and within and beyond academic discourse. Contributions on experiences of militarization among groups and individuals, and in hitherto underexplored, perhaps even seemingly ‘non-military’ settings are also encouraged. All submitted manuscripts are subject to initial appraisal by the Editor, and, if found suitable for further consideration, to double-blind peer review by independent, anonymous expert referees. The Journal also includes a non-peer reviewed section, Encounters, showcasing multidisciplinary forms of critique such as film and photography, and engaging with policy debates and activism.
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