犯罪(如果我可以创造这个词的话)和英国拉腿者的条件

IF 0.3 2区 文学 0 LITERATURE
Romanticism Pub Date : 2021-09-29 DOI:10.3366/rom.2021.0521
Andrew Keanie
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引用次数: 0

摘要

1821年,就像一个从黑暗中走出来的信使(或者是一个文学上的骗子),英国的鸦片食者来到了这里,仿佛在一个顽固的文字化时代提供了一些拯救心灵的游戏。他合并了两个最著名的民族区域:地狱和东方。语言迷人、精确、难以预测,而且发自内心地排外(“……在中国或印度……我被鳄鱼吻过,吻得像癌症一样;躺着,被所有说不出的黏糊糊的东西弄得晕头晕脑……”)。德·昆西可别太当真。但《忏悔录》的作者却激起了一些从容的愤慨。例如,对于艾伯特·戈德曼(Albert Goldman)来说,德昆西更像是一个文学接受者,而不是给予者,尤其是作为华兹华斯(Wordsworth)和柯勒律治(Coleridge)最多产的剽窃者。尽管如此,当人们考虑到德昆西的自我意识、他的精神状态以及他的幽默感的反通货膨胀的品质时,这样的批评看起来毫无帮助。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Delinquency (if I may coin that word) and the Conditions of an English Leg-Puller
In 1821, like a messenger out of the dark (or a literary leg-puller), the English Opium-Eater arrived as if offering some saving play of mind in an obdurately literalising age. He conflated the two most reputedly chthonic regions: Hell, and the East. The language was ravishing, precise, unpredictable, and viscerally xenophobic (‘… in China or Indostan … I was kissed, with cancerous kisses, by crocodiles; and laid, confounded with all unutterable slimy things …’). De Quincey was not to be taken too seriously. But the author of ‘Confessions’ has inspired some poised indignation. For example, for Albert Goldman, De Quincey was more of a literary taker than a giver, and not least as Wordsworth and Coleridge's most prolific plagiarist. Arguably though, such a criticism looks unhelpfully hard-nosed when one considers the self-consciousness of De Quincey's secondariness, the deeply disturbed state of his mind, and the counter-inflationary quality of his sense of humour.
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来源期刊
Romanticism
Romanticism LITERATURE-
CiteScore
0.30
自引率
0.00%
发文量
44
期刊介绍: The most distinguished scholarly journal of its kind edited and published in Britain, Romanticism offers a forum for the flourishing diversity of Romantic studies today. Focusing on the period 1750-1850, it publishes critical, historical, textual and bibliographical essays prepared to the highest scholarly standards, reflecting the full range of current methodological and theoretical debate. With an extensive reviews section, Romanticism constitutes a vital international arena for scholarly debate in this liveliest field of literary studies.
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