用鼓点理论化五重奏和七重奏音阶

IF 1.6 1区 艺术学 0 MUSIC
Scott Hanenberg
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引用次数: 2

摘要

这篇文章探讨了鼓手在演奏五拍子或七拍子音乐时所采取的常见方法。基于对1967年至2017年半个世纪期间发布的350首歌曲的原始分析,我发现这些凹槽分为三类:无差别的,其中标记每次攻击的鼓和/或钹在凹槽过程中不会改变;反拍变体,基于踢腿和圈套攻击的交替,如常见的时间反拍;以及包括两个不同的公制线索的聚合凹槽,通常使鼓与乐队的其余部分凹陷。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Using Drumbeats to Theorize Meter in Quintuple and Septuple Grooves
This article explores common approaches taken by drummers when playing music with a quintuple or septuple groove. Based on original analysis from a corpus of 350 songs released during the half-century between 1967 and 2017, I show that these grooves fall into three categories: undifferentiated, in which the drum/s and/or cymbal/s that mark each attack do not change in the course of the groove; backbeat variants, based on the alternation of kick and snare attacks, as in the common-time backbeat; and polymetric grooves comprising two distinct metric cues, often pitting the drums against the rest of the band.
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来源期刊
CiteScore
2.30
自引率
20.00%
发文量
15
期刊介绍: A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance. For further information about Music Theory Spectrum, please visit the Society for Music Theory homepage.
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