{"title":"华兹华斯与诗歌神正论","authors":"M. Alznauer","doi":"10.1353/phl.2022.0019","DOIUrl":null,"url":null,"abstract":"Abstract:Claims are often made that, in the late eighteenth century or early nineteenth century, artists attempted to take over certain functions from religion, particularly the function of redeeming the world. But what exactly it might mean for art to redeem the world is rarely treated with any precision. In this essay, I show that Wordsworth's idea of a poetic theodicy offers an unusually clear and appealing form of the redemptive view of art, which, when properly understood, is less vulnerable to standard criticisms than is commonly thought.","PeriodicalId":51912,"journal":{"name":"PHILOSOPHY AND LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Wordsworth and the Idea of a Poetic Theodicy\",\"authors\":\"M. Alznauer\",\"doi\":\"10.1353/phl.2022.0019\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Claims are often made that, in the late eighteenth century or early nineteenth century, artists attempted to take over certain functions from religion, particularly the function of redeeming the world. But what exactly it might mean for art to redeem the world is rarely treated with any precision. In this essay, I show that Wordsworth's idea of a poetic theodicy offers an unusually clear and appealing form of the redemptive view of art, which, when properly understood, is less vulnerable to standard criticisms than is commonly thought.\",\"PeriodicalId\":51912,\"journal\":{\"name\":\"PHILOSOPHY AND LITERATURE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"PHILOSOPHY AND LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/phl.2022.0019\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"PHILOSOPHY AND LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/phl.2022.0019","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
Abstract:Claims are often made that, in the late eighteenth century or early nineteenth century, artists attempted to take over certain functions from religion, particularly the function of redeeming the world. But what exactly it might mean for art to redeem the world is rarely treated with any precision. In this essay, I show that Wordsworth's idea of a poetic theodicy offers an unusually clear and appealing form of the redemptive view of art, which, when properly understood, is less vulnerable to standard criticisms than is commonly thought.
期刊介绍:
For more than a quarter century, Philosophy and Literature has explored the dialogue between literary and philosophical studies. The journal offers a constant source of fresh, stimulating ideas in the aesthetics of literature, theory of criticism, philosophical interpretation of literature, and literary treatment of philosophy. Philosophy and Literature challenges the cant and pretensions of academic priesthoods by publishing an assortment of lively, wide-ranging essays, notes, and reviews that are written in clear, jargon-free prose. In his regular column, editor Denis Dutton targets the fashions and inanities of contemporary intellectual life.