{"title":"YouTube上的残奥会:残奥会的另类内容创作和数字消费","authors":"R. Petersen-Wagner, Jan Andre Lee Ludvigsen","doi":"10.1177/10126902231155572","DOIUrl":null,"url":null,"abstract":"This article aims to explore the digital consumption of the Paralympic Games on the video-sharing platform YouTube to understand how the International Paralympic Committee (IPC) engages consumers in a digital setting, enabling an ‘alternative’ consumption of the event. Using YouTube Data Tools, we have automatically scraped data from 17,701 YouTube videos from Paralympic Games’ channel. After data manipulation and consolidation, statistical analyses were performed in order to understand how the IPC has adapted to the algorithm logic of platforms. Our findings demonstrate that YouTube should be comprehended as complementing and substituting television as the traditional medium of sport consumption. Thus, the digitalisation of the sport industry adapts and continues, rather than revolutionises, the symbiotic sport/media relationship. Whilst digital revolution allows the IPC to reach wider audiences by bypassing a traditional media editorial logic, it does so within the algorithmic logic of platforms resulting from the unpaid digital labour of users.","PeriodicalId":47968,"journal":{"name":"International Review for the Sociology of Sport","volume":" ","pages":""},"PeriodicalIF":2.5000,"publicationDate":"2023-02-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Paralympics on YouTube: Alternative content creation and the digital consumption of the Paralympics\",\"authors\":\"R. Petersen-Wagner, Jan Andre Lee Ludvigsen\",\"doi\":\"10.1177/10126902231155572\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article aims to explore the digital consumption of the Paralympic Games on the video-sharing platform YouTube to understand how the International Paralympic Committee (IPC) engages consumers in a digital setting, enabling an ‘alternative’ consumption of the event. Using YouTube Data Tools, we have automatically scraped data from 17,701 YouTube videos from Paralympic Games’ channel. After data manipulation and consolidation, statistical analyses were performed in order to understand how the IPC has adapted to the algorithm logic of platforms. Our findings demonstrate that YouTube should be comprehended as complementing and substituting television as the traditional medium of sport consumption. Thus, the digitalisation of the sport industry adapts and continues, rather than revolutionises, the symbiotic sport/media relationship. Whilst digital revolution allows the IPC to reach wider audiences by bypassing a traditional media editorial logic, it does so within the algorithmic logic of platforms resulting from the unpaid digital labour of users.\",\"PeriodicalId\":47968,\"journal\":{\"name\":\"International Review for the Sociology of Sport\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":2.5000,\"publicationDate\":\"2023-02-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Review for the Sociology of Sport\",\"FirstCategoryId\":\"95\",\"ListUrlMain\":\"https://doi.org/10.1177/10126902231155572\",\"RegionNum\":3,\"RegionCategory\":\"教育学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HOSPITALITY, LEISURE, SPORT & TOURISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Review for the Sociology of Sport","FirstCategoryId":"95","ListUrlMain":"https://doi.org/10.1177/10126902231155572","RegionNum":3,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HOSPITALITY, LEISURE, SPORT & TOURISM","Score":null,"Total":0}
The Paralympics on YouTube: Alternative content creation and the digital consumption of the Paralympics
This article aims to explore the digital consumption of the Paralympic Games on the video-sharing platform YouTube to understand how the International Paralympic Committee (IPC) engages consumers in a digital setting, enabling an ‘alternative’ consumption of the event. Using YouTube Data Tools, we have automatically scraped data from 17,701 YouTube videos from Paralympic Games’ channel. After data manipulation and consolidation, statistical analyses were performed in order to understand how the IPC has adapted to the algorithm logic of platforms. Our findings demonstrate that YouTube should be comprehended as complementing and substituting television as the traditional medium of sport consumption. Thus, the digitalisation of the sport industry adapts and continues, rather than revolutionises, the symbiotic sport/media relationship. Whilst digital revolution allows the IPC to reach wider audiences by bypassing a traditional media editorial logic, it does so within the algorithmic logic of platforms resulting from the unpaid digital labour of users.
期刊介绍:
The International Review for the Sociology of Sport is a peer reviewed academic journal that is indexed on ISI. Eight issues are now published each year. The main purpose of the IRSS is to disseminate research and scholarship on sport throughout the international academic community. The journal publishes research articles of varying lengths, from standard length research papers to shorter reports and commentary, as well as book and media reviews. The International Review for the Sociology of Sport is not restricted to any theoretical or methodological perspective and brings together contributions from anthropology, cultural studies, geography, gender studies, media studies, history, political economy, semiotics, sociology, as well as interdisciplinary research.