展览:托尼·阿尔伯特，可见，昆士兰美术馆，2018年6月2日至10月7日

IF 0.7 Q2 AREA STUDIES

Queensland Review Pub Date : 2019-06-01 DOI:10.1017/QRE.2019.15

Bianca Beetson

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引用次数: 0

摘要

我不禁为托尼·艾伯特的非凡成就感到骄傲和敬畏。托尼毕业于昆士兰艺术学院当代澳大利亚土著艺术学士学位，我在他的整个职业生涯中都认识他。作为在澳大利亚州立机构举办调查展的最年轻的艺术家，Visible显然是他迄今为止最重要的成就之一。让这一成就更加显著的是，他是原住民。鉴于阿尔伯特的做法公然面对澳大利亚博物馆、画廊和原住民社区之间脆弱的后殖民关系，这一点尤其重要。

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Exhibition: Tony Albert, Visible, Queensland Art Gallery, 2 June to 7 October 2018

I cannot help but be overwhelmed by a sense of pride and awe for the exceptional list of Tony Albert’s achievements. I have known Tony personally throughout his career as a graduate from the Bachelor of Contemporary Australian Indigenous Art degree at the Queensland College of Art. As the youngest artist to have a survey show in a state institution in Australia, Visible is clearly one of his most signiﬁcant triumphs to date. What makes this achievement even more signiﬁcant is the fact that he is Aboriginal. This is especially pertinent given that Albert’s practice blatantly confronts the tenuous postcolonial relationships between museums, galleries and Aboriginal communities in Australia.

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来源期刊

Queensland Review AREA STUDIES-

CiteScore

0.30

自引率

66.70%

发文量

期刊介绍： Published in association with Griffith University Queensland Review is a multi-disciplinary journal of Australian Studies which focuses on the history, literature, culture, society, politics and environment of the state of Queensland. Queensland’s relations with Asia, the Pacific islands and Papua New Guinea are a particular focus of the journal, as are comparative studies with other regions. In addition to scholarly articles, Queensland Review publishes commentaries, interviews, and book reviews.