恶棍、鬼魂和玫瑰,或者,如何与死者交谈

IF 0.5 Q3 CULTURAL STUDIES
S. Huber
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引用次数: 1

摘要

摘要如果像Sylvia Wynter在接受Katherine McKittrick采访时指出的那样,维护世俗人道主义的叙事导致了一场“无与伦比的灾难”,那么是时候解开它们了。在这篇文章中,我将死者视为一个超越了形而上学的主体和客体分类的范畴,并提供了交流和混合的替代可能性。为此,我呼吁克莱尔·科尔布鲁克、雅克·德里达、约翰·达勒姆-彼得斯、伊芙·塔克和尤妮卡·祖恩等的作品,以西尔维娅·温特的文化作品和文字为指导和激励力量。在这里,我用蛇发女怪、女巫、命运和复仇故事重新填充了生与死的缝隙。如果鬼魂被简单地视为其他生物,尽管像细菌一样是禁忌生物,或者像恶棍一样需要交替的文化叙事,或者像玫瑰一样既存在于神秘世界的象征领域,又存在于所谓的自然世界,那么可以打开什么样的方法论?死者要说什么?我们如何倾听?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Villains, Ghosts, and Roses, or, How to Speak with the Dead
Abstract If narratives that uphold secular humanism have led to an “unparalleled catastrophe” as Sylvia Wynter notes in an interview with Katherine McKittrick, then it is time to unwrite them. In this essay, I examine the dead as a category that exceeds metaphysical classifications of subject and object and provides alternate possibilities of communication and hybridity. To do so, I call on work by Claire Colebrook, Jacques Derrida, John Durham Peters, Eve Tuck, and Unica Zürn, among others, with the cultural work and words of Sylvia Wynter as a guide and galvanising force. Here, I repopulate the life/death seam with gorgons, witches, fates, and revenge stories. If ghosts are seen simply as other beings, albeit taboo ones like bacteria, or require alternate cultural narratives like villains, or exist both in the symbolic sphere of the mystical and the so-called natural world like roses, what kinds of methodologies can be opened? What do the dead have to say and how do we listen?
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来源期刊
Open Cultural Studies
Open Cultural Studies CULTURAL STUDIES-
CiteScore
0.80
自引率
0.00%
发文量
18
审稿时长
15 weeks
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