FLUIDITY IN STILLNESS: A READING OF HADEWIJCH'S STROFISCHE GEDICHTEN/POEMS IN STANZAS

That women felt and men thought has long been the predominant lens through which medieval Christian writing has been analyzed. The work of the religious women vernacular theologians, or Beguines, who emerged across North Europe from the twelfth to the thirteenth centuries has therefore often been dismissed as affective mysticism. Recent scholarship has begun to re-appraise this work and re-evaluate its place within the Christian tradition. This paper looks at the work of Hadewijch, a thirteenth-century mystical poet from Brabant in the Netherlands who, though less well known than other Beguines such as Hildegaard of Bingen and Marguerite Porete, may, as John Arblaster and Paul Verdeyen argue, “rightly be called the greatest poetic genius in the Dutch language.” It is probable that her work was not widely known during her lifetime (not, that is, directly), but research is strengthening the argument that her theology was transmitted via the works of John of Ruusbroec. This paper will attend both to Hadewijch's poesy and her theology and ask what the dynamic structure in her verse — its shifts of perspective, gender perspective, and non-linear narrative — might lead us to grasp about her theology.