伊西斯在罗马国内崇拜中的作用:对维苏威地区“伊西斯·福图纳”青铜雕像的研究37

IF 0.2 0 RELIGION
Nicola Amoroso
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引用次数: 0

摘要

在与伊西斯邪教有关的物证中,所谓的“伊西斯-福图纳”青铜雕像在整个罗马世界得到了很好的证明。这些物品主要是在家庭环境中与其他神圣的雕像一起被发现的。本文通过对来自维苏威地区的“伊西斯-福图纳”的考古和图像证据的调查,旨在研究青铜雕像的生产背景和地理分布。鉴于已经发布的信息,我们需要通过分析这些图像是如何在特定环境或地理区域中创建、转换和/或改编的,来提供新的答案。就伊希斯的形象通常与借鉴其他神灵的元素结合在一起而言,“伊希斯-福尔图纳”的肖像类型引发了有关术语、类型学和所谓“融合现象”的严重问题。这些问题将根据我们的初步研究结果进行讨论,试图构建制约伊希斯在罗马国内邪教中的作用的历史宗教背景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The roles of Isis in Roman domestic cults: A study of the “Isis-Fortuna” bronze statuettes from the Vesuvian area 37
Abstract Among the material evidence related to the Isiac cults, the so-called “Isis- Fortuna” bronze statuettes are well attested throughout the Roman world. These objects were mainly discovered in domestic contexts with other divine figurines. Based on a survey of the archaeological and iconographic evidence for “Isis-Fortuna” from the Vesuvian area, this paper aims at examining the contexts of production and the geographical distribution of the bronze statuettes. In view of the information already published, we need to provide new answers by analysing how these images were created, transformed and/or adapted in specific contexts or geographical areas. Insofar as the images of Isis were commonly combined with elements borrowed from other deities, the iconographic type of “Isis-Fortuna” raises serious questions about terminology, typology and the so-called “syncretic phenomenon”. These questions will be discussed in the light of the preliminary results of our research, trying to frame the historico-religious background that conditioned the role(s) of Isis in Roman domestic cults.
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