论在户外表演瓦格纳的政治:露天歌剧、大众艺术和第三帝国的“森林歌剧”，1933 - 1945

IF 0.2 2区艺术学 0 MUSIC

Journal of the Royal Musical Association Pub Date : 2021-02-04 DOI:10.1017/rma.2020.26

Kirsten S. Paige

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引用次数: 0

摘要

本文探讨了瓦格纳户外演出的政治，重点关注波兰索波特的瓦尔多普剧院，以及它在第三帝国时期的运作。节日文献表明，帝国将气候决定论逻辑与已建立的露天戏剧实践相结合，暗示体验瓦格纳式的户外声音，在波兰人中灌输völkisch角色，将节日定位在帝国的帝国使命中。然而，这种来自“高层”的愿景被官僚主义的混乱和低效所破坏，就像其他纳粹艺术项目一样。文章最后讨论了战后的瓦尔多普及其伴随的神话。

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On the Politics of Performing Wagner Outdoors: Open-Air Opera, Gesamtkunstwerk and the Third Reich’s ‘Forest Opera’, 1933–45

Abstract This article explores the politics of performing Wagner outdoors, focusing on the Waldoper in Sopot, Poland, and its operations under the Third Reich. Festival literature suggests that the Reich combined climatic deterministic logic with established open-air theatrical practice to implicate experiencing Wagnerian sounds outdoors as inculcating völkisch character in Poles, positioning the festival within the Reich’s imperial mission. However, this vision from ‘on high’ was undermined by bureaucratic disorganization and inefficiency, much like other Nazi artistic projects. The article concludes with a discussion of the post-war afterlives of the Waldoper and its attendant mythologies.

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来源期刊

Journal of the Royal Musical Association MUSIC-

CiteScore

0.50

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0.00%

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期刊介绍： The Journal of the Royal Musical Association was established in 1986 (replacing the Association"s Proceedings) and is now one of the major international refereed journals in its field. Its editorial policy is to publish outstanding articles in fields ranging from historical and critical musicology to theory and analysis, ethnomusicology, and popular music studies. The journal works to disseminate knowledge across the discipline and communicate specialist perspectives to a broad readership, while maintaining the highest scholarly standards.