从科英布拉手稿的匿名和可疑的群众运动中探索音乐风格:一种统计和机器学习方法

IF 1.1 4区 计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS
María Elena Cuenca-Rodríguez, C. McKay
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引用次数: 0

摘要

本文采用基于统计分析和机器学习的传统音乐学方法和技术,研究了16世纪哥印布拉手稿中的音乐。特别关注的是深入了解匿名和可疑的大众运动的起源,通过当时伊比利亚和佛朗哥-弗拉芒音乐传统之间潜在的风格差异来观察。另一个目标是在接受外国剧目的历史、政治和社会背景下探索科英布拉作品的起源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Exploring musical style in the anonymous and doubtfully attributed mass movements of the Coimbra manuscripts: a statistical and machine learning approach
This paper studies the music from the sixteenth century Coimbra manuscripts using both traditional musicological approaches and techniques based on statistical analysis and machine learning. A particular focus is placed on gaining insights into the origins of the anonymous and doubtfully attributed mass movements, looked at through the lens of potential stylistic differences between the Iberian and Franco-Flemish musical traditions of the time. Another goal is to explore the origins of the Coimbra works in the historical, political and social context of the reception of foreign repertoires.
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来源期刊
Journal of New Music Research
Journal of New Music Research 工程技术-计算机:跨学科应用
CiteScore
3.20
自引率
0.00%
发文量
5
审稿时长
>12 weeks
期刊介绍: The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.
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