伊朗巴哈伊小说集体记忆对社会身份的建构:《野兽的摇篮》与《乌塔布的记忆》

IF 0.4 0 ASIAN STUDIES
Fahraji
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引用次数: 0

摘要

本文通过对伊朗巴哈伊群体近几十年文学作品的研究,探讨了他们的集体记忆与社会认同之间的关系。Rouhieh Fanaian的《乌塔布的回忆》和Omid Fallahazad的《野兽的摇篮》是1979年伊朗革命后巴哈伊作家创作的唯一一部以巴哈伊为人物的波斯小说。因此,它们将成为本研究的主要来源。通过对这些小说的比较分析,可以理解巴哈伊社区的集体记忆与社会认同之间的关系。本文借鉴了罗斯·普尔关于记忆是一种社会建构能力的概念,以解释复述记忆的行为如何使两部小说的主人公能够相对于巴哈伊社区的其他成员以及穆斯林社区的成员来定义和重新定义自己。它还借鉴了Maurice Halbwachs的集体记忆论点,该论点认为个人记忆是以社会框架为前提的。斯图尔特·霍尔(Stuart Hall)提出的文化身份不断转变的观点,是为了更好地考察这些小说中反映的巴哈伊社区社会身份的转变和构建阶段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Construction of Social Identity by Collective Memory of Iranian Baha’is in Novels: “The Cradle of the Beast” and “Utab’s Memories”
This article examines the relationship between collective memory and social identity in the Iranian Baha’i community through the study of their literary works of recent decades. Utab’s Memories by Rouhieh Fanaian and The Cradle of the Beast by Omid Fallahazad are the only Persian novels penned by Baha’i authors with Baha’i characters after Iran’s 1979 Revolution. Therefore, they will serve as the primary sources for this study. A comparative analysis of these novels yields an understanding of the relationship between collective memory and social identity in the Baha’i community. This article draws on Ross Poole’s notion of memory as a socially constructed capacity in order to explain how the act of retelling memories enables the protagonists of both novels to define and redefine themselves in relation to other members of their Baha’i community as well as the members of the Muslim community. It also draws on Maurice Halbwachs’s collective memory argument, which suggests individual memory presupposes a social framework. Stuart Hall’s notion of a constantly transforming aspect of cultural identity is harnassed in order to better examine stages of transformation and construction in the Baha’i community’s social identity as reflected in these novels.
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