{"title":"介绍","authors":"Lois Weinthal, Igor Siddiqui, Ro Spankie","doi":"10.1080/20419112.2019.1591754","DOIUrl":null,"url":null,"abstract":"As academic subject matter, interiors permeate the curricula of multiple interrelated disciplines that together provide the educational foundation for an expanded range of creative and professional practices. Such interiors-oriented academic programs cut across fields like architecture, design, and art and are as diverse as the types of practices that shape contemporary interiors spatially and discursively. Any overall view of interiors education as such resists singularity, simplification, or standardization, benefiting instead from frameworks that embrace diversity, multivalence, and heterogeneity. The most innovative, influential, and effective pedagogies have the capacity not only to mirror practice, but also shape its future trajectories. This theme issue of Interiors: Design/Architecture/Culture brings together a wide variety of exemplary pedagogical approaches that represent the latest innovations of interiors education. The call for contributions posed a series of questions for authors to consider in their method of teaching, which would then be reflected in the student work being produced. Significant questions such as what constitutes an entry into interiors education, and how does one define its intellectual and technical foundations? How does the space of the studio impact learning? What methods of instruction advance students’ spatial thinking? Which models of experiential learning are particularly impactful and effective? What constitutes interiors-based design research and how is it taught? 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Any overall view of interiors education as such resists singularity, simplification, or standardization, benefiting instead from frameworks that embrace diversity, multivalence, and heterogeneity. The most innovative, influential, and effective pedagogies have the capacity not only to mirror practice, but also shape its future trajectories. This theme issue of Interiors: Design/Architecture/Culture brings together a wide variety of exemplary pedagogical approaches that represent the latest innovations of interiors education. The call for contributions posed a series of questions for authors to consider in their method of teaching, which would then be reflected in the student work being produced. Significant questions such as what constitutes an entry into interiors education, and how does one define its intellectual and technical foundations? How does the space of the studio impact learning? What methods of instruction advance students’ spatial thinking? Which models of experiential learning are particularly impactful and effective? What constitutes interiors-based design research and how is it taught? 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引用次数: 0
摘要
作为学术主题,室内设计渗透到多个相互关联的学科的课程中,这些学科共同为广泛的创造性和专业实践提供了教育基础。这些以室内设计为导向的学术课程跨越了建筑、设计和艺术等领域,与在空间和话语上塑造当代室内设计的实践类型一样多样。任何内部教育的整体观点都抵制单一、简化或标准化,而是受益于包含多样性、多价性和异质性的框架。最具创新性、最具影响力和最有效的教学法不仅能够反映实践,而且能够塑造其未来的轨迹。本期《室内设计/建筑/文化》主题杂志汇集了各种各样的典型教学方法,代表了室内教育的最新创新。对投稿的呼吁提出了一系列问题,供作者在其教学方法中考虑,然后这些问题将反映在正在制作的学生工作中。重要的问题,如什么是进入室内教育的入口,以及如何定义其知识和技术基础?工作室的空间如何影响学习?哪些教学方法能促进学生的空间思维?哪种体验式学习模式特别有影响力和效果?什么是室内设计研究?如何教授?在里约热内卢rs D O I: 10 .1 08 0/ 20 .1 91 12 .2 01 9。15 91 75 4
As academic subject matter, interiors permeate the curricula of multiple interrelated disciplines that together provide the educational foundation for an expanded range of creative and professional practices. Such interiors-oriented academic programs cut across fields like architecture, design, and art and are as diverse as the types of practices that shape contemporary interiors spatially and discursively. Any overall view of interiors education as such resists singularity, simplification, or standardization, benefiting instead from frameworks that embrace diversity, multivalence, and heterogeneity. The most innovative, influential, and effective pedagogies have the capacity not only to mirror practice, but also shape its future trajectories. This theme issue of Interiors: Design/Architecture/Culture brings together a wide variety of exemplary pedagogical approaches that represent the latest innovations of interiors education. The call for contributions posed a series of questions for authors to consider in their method of teaching, which would then be reflected in the student work being produced. Significant questions such as what constitutes an entry into interiors education, and how does one define its intellectual and technical foundations? How does the space of the studio impact learning? What methods of instruction advance students’ spatial thinking? Which models of experiential learning are particularly impactful and effective? What constitutes interiors-based design research and how is it taught? In te rio rs D O I: 10 .1 08 0/ 20 41 91 12 .2 01 9. 15 91 75 4