菲利普·罗斯与“大屠杀的终结”

Q2 Arts and Humanities
Anthony C. Wexler
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引用次数: 1

摘要

摘要:菲利普·罗斯于2007年出版的长篇小说《退出幽灵》是朱克曼长篇小说系列的最后一部,探讨了作家死后遗产的转变方式。这篇文章考虑了罗斯的小说如何将作家死后的名声问题扩展到一个没有目击者的即将到来的世界中的大屠杀记忆问题。在《亡魂》中,内森·祖克曼和艾米·贝勒特未能阻止一本传记的出版,这本传记将改变另一位已故作家的声誉,这表明,随着时间的推移,大屠杀本身可能变得面目难认,这是一个令人震惊的过程。本文通过意大利作家和幸存者的最后一部作品《普里莫·列维》进一步了解内森和艾米晚年联盟的动机和局限性——艾米在《亡魂》中提到了这部作品,它痛苦地反映了20世纪末大屠杀记忆面临的挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Philip Roth and the “End of the Holocaust”
ABSTRACT:Philip Roth’s 2007 novel, Exit Ghost, the final installment of the long-running Zuckerman series, examines the ways a writer’s legacy can be transformed after death. This essay considers how Roth’s novel extends the problem of a writer’s posthumous reputation to the problem of Holocaust memory in a coming world without witnesses. In Exit Ghost, the failure of Nathan Zuckerman and Amy Bellette to prevent the publication of a biography that will transform the reputation of another dead writer points toward the scandalizing process by which the Holocaust itself may be rendered unrecognizable with the passage of time. This essay further understands the motivations and limitations of the late-life alliance between Nathan and Amy through the lens of the last work of Italian writer and survivor, Primo Levi—a work referred to by Amy in Exit Ghost that is painfully attuned to the challenges facing Holocaust memory at the end of the twentieth century.
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来源期刊
Philip Roth Studies
Philip Roth Studies Arts and Humanities-Literature and Literary Theory
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