{"title":"为国王服务的资历。18世纪庞贝品味在西班牙的传播","authors":"María del Carmen Montoya Rodríguez","doi":"10.14201/CUADIECI201819105137","DOIUrl":null,"url":null,"abstract":"The diffusion of Pompeian taste in Spain during the reign of Charles III did not reach the notoriety expected. It was later on with Charles IV and Maria Luisa, interested by the new esthetic currents, when they introduced the Pompeian styles in their countryside residences. The arrival of the plaster casts from the Herculanese Museum in 1765, of the volumes of Le Antichita di Ercolano and finally the so-called Servizio Ercolanese, served as a reference to Spanish artists who at that time continued to resort to classical and renaissance sources such as the frescoes of the Domus Aurea and Raphael’s Vatican Loggias. This article analyzes pieces from the Herculaneum porcelain service, acquired by the National Museum of Decorative Arts and traces their relationship to the originals found in Pompeii and Herculaneum preserved in the museum of Portici before 1780.","PeriodicalId":37303,"journal":{"name":"Cuadernos Dieciochistas","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"La Antigüedad al servicio del rey. La difusión del gusto pompeyano en España en el siglo XVIII\",\"authors\":\"María del Carmen Montoya Rodríguez\",\"doi\":\"10.14201/CUADIECI201819105137\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The diffusion of Pompeian taste in Spain during the reign of Charles III did not reach the notoriety expected. It was later on with Charles IV and Maria Luisa, interested by the new esthetic currents, when they introduced the Pompeian styles in their countryside residences. The arrival of the plaster casts from the Herculanese Museum in 1765, of the volumes of Le Antichita di Ercolano and finally the so-called Servizio Ercolanese, served as a reference to Spanish artists who at that time continued to resort to classical and renaissance sources such as the frescoes of the Domus Aurea and Raphael’s Vatican Loggias. This article analyzes pieces from the Herculaneum porcelain service, acquired by the National Museum of Decorative Arts and traces their relationship to the originals found in Pompeii and Herculaneum preserved in the museum of Portici before 1780.\",\"PeriodicalId\":37303,\"journal\":{\"name\":\"Cuadernos Dieciochistas\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-12-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cuadernos Dieciochistas\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14201/CUADIECI201819105137\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cuadernos Dieciochistas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14201/CUADIECI201819105137","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 2
摘要
在查理三世统治时期,庞培风味在西班牙的传播并没有达到预期的恶名。后来,查理四世和玛丽亚·路易莎对新的审美潮流感兴趣,在他们的乡村住宅中引入了庞培风格。1765年从赫库拉尼斯博物馆运来的石膏模型,《Le Antichita di Ercolano》卷和最后的《Servizio Ercolanese》卷,作为西班牙艺术家的参考,他们当时继续诉诸古典和文艺复兴时期的作品,如Domus Aurea的壁画和拉斐尔的《梵蒂冈Loggias》。本文分析了国家装饰艺术博物馆收藏的赫库兰尼姆瓷器,并追溯了它们与1780年前在庞贝和波提奇博物馆保存的赫库兰尼姆瓷器的关系。
La Antigüedad al servicio del rey. La difusión del gusto pompeyano en España en el siglo XVIII
The diffusion of Pompeian taste in Spain during the reign of Charles III did not reach the notoriety expected. It was later on with Charles IV and Maria Luisa, interested by the new esthetic currents, when they introduced the Pompeian styles in their countryside residences. The arrival of the plaster casts from the Herculanese Museum in 1765, of the volumes of Le Antichita di Ercolano and finally the so-called Servizio Ercolanese, served as a reference to Spanish artists who at that time continued to resort to classical and renaissance sources such as the frescoes of the Domus Aurea and Raphael’s Vatican Loggias. This article analyzes pieces from the Herculaneum porcelain service, acquired by the National Museum of Decorative Arts and traces their relationship to the originals found in Pompeii and Herculaneum preserved in the museum of Portici before 1780.
期刊介绍:
Cuadernos dieciochistas, multidisciplinary journal devoted to the study of the eighteenth century. It is the means of expression of the Spanish Society for Eighteenth Century Studies.