雷纳·吉拉德与启示认识论

Q4 Arts and Humanities
B. Perret
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引用次数: 0

摘要

勒内·吉拉德从不担心澄清他的理论的认识论框架。然而,这是一项必要的任务,哪怕只是为了回答他的方法所特有的科学性和宗教信仰的混合所不可避免地提出的方法问题。从这一点来看,吉拉德使用“启示”一词是典型的。事件哲学可以提供一个认识论框架来统一这一概念的神学和人类学意义。在现象学层面上,神圣启示类似于我们存在或历史中某些决定性的有意义的事件。一种全新的感觉突然出现在一个无论如何都不包含它的现实中,这并不是宗教经验的专属特权。有意义事件的图式使得揭示伟大吉拉德叙事的逻辑成为可能,其关键阶段是揭示,在事件带来一种新的意义的意义上。吉拉德所描述的文化出现的场景是由事件驱动的,同样的逻辑模式是吉拉德将激情解读为人类暴力的揭示的基础。以同样的方式,吉拉德将宗教和“小说”意义上的皈依分析为一种精神事件。最后,他的启示历史观可以用这个认识论框架来解释。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
René Girard and the Epistemology of Revelation
René Girard never worried about clarifying the epistemological frame- work of his theories. Yet it is a necessary task, if only to answer the questions of method inevitably posed by the mixture of scientificality and religious conviction that characterizes his approach. Girard’s use of the word “revelation” is paradig- matic from this regard. A philosophy of the event can provide an epistemological framework to unify the theological and anthropological meanings of this notion. On a phenomenological level, Divine Revelation is analogous to certain decisively meaningful happenings in our existence, or in history. The irruption of a radically new sense into a reality that does not contain it in any way is not an exclusive prerogative of religious experience. The schema of the meaningful event makes it possible to disclose the logic of the great Girardian narrative, whose key stages are revelations, in the sense of events bringing a new kind of meaning. The scenario of the emergence of culture described by Girard is event-driven, and the same logical schema underlies the Girardian interpretation of the Passion as an unveiling of human violence. In the same way Girard analyses conversion, in both a religious and a “novelistic” sense, as a spiritual event. Finally, his apocalyptic conception of history can be interpreted using this epistemological framework.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
2
审稿时长
30 weeks
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