现代主义不适合儿童：安妮特·迈克尔逊、电影理论与先锋派

IF 2 2区社会学 Q1 CULTURAL STUDIES

Critical Inquiry Pub Date : 2023-09-01 DOI:10.1086/726272

Daniel Morgan

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引用次数: 0

摘要

这篇文章认为，安妮特·迈克尔逊在20世纪70年代和80年代关于艺术和电影的著作背后是一个持续、一致和雄心勃勃的论点。迈克尔逊与20世纪60年代的现代主义话语相关，他将电影中时间和时间组织的描述与电影观众的发展模式联系起来。从这个角度来看，迈克尔逊的作品代表了另一种被忽视的电影理论和批评，它为电影先锋派提供了一种新的描述，也是我所说的以认知成熟度为基础的电影理论幼稚倾向的替代品。

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Modernism Is Not for Children: Annette Michelson, Film Theory, and the Avant-Garde

This article argues that a sustained, consistent, and ambitious argument underlies Annette Michelson’s writings on art and film across the 1970s and 1980s. Working in relation to modernist discourses of the 1960s, Michelson links an account of time and temporal organization in cinema to a developmental model of film spectatorship. Read in this way, Michelson’s writing represents an alternate and overlooked strand of film theory and criticism, one that provides a new account of cinematic avant-gardes—and an alternative to what I call the infantile tendencies of film theory that is grounded in the terms of cognitive maturity.

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来源期刊

Critical Inquiry Multiple-

CiteScore

2.80

自引率

0.00%

发文量

期刊介绍： Critical Inquiry has published the best critical thought in the arts and humanities since 1974. Combining a commitment to rigorous scholarship with a vital concern for dialogue and debate, the journal presents articles by eminent critics, scholars, and artists on a wide variety of issues central to contemporary criticism and culture. In CI new ideas and reconsideration of those traditional in criticism and culture are granted a voice. The wide interdisciplinary focus creates surprising juxtapositions and linkages of concepts, offering new grounds for theoretical debate. In CI, authors entertain and challenge while illuminating such issues as improvisations, the life of things, Flaubert, and early modern women"s writing.