无法治愈的沉默的悲伤:佩内洛普在卡赞扎基斯奥德赛中的形象

Q3 Arts and Humanities
Flavio Dalmazzo
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引用次数: 0

摘要

:本文探讨了尼科斯·卡赞扎基斯的《奥德赛》中佩内洛普的形象,特别注意她的身材与奥德赛的对比,这可以从作品的前两首狂想曲中看出。考虑到这位克里特岛作家对荷马的遗产所进行的身份和差异的激进游戏,我们最终将观察到,在这个脆弱、模糊甚至毁灭的佩内洛普身上,它是如何隐藏着卡赞扎基文本的一个关键问题的,即:奇怪、分歧的地方,促使现代英雄这次踏上了不归路的旅程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Una incurable pena muda: imagen de Penélope en la Odisea de Kazantzakis
: This article explores the image of Penelope in Nikos Kazantzakis’ Odyssey , paying special attention to the way her figure contrasts with Odysseus, as can be seen in the first two rhapsodies of the work. Bearing in mind the radical game of identity and difference that the Cretan writer has made on the legacy of Homer, we will finally observe how in this fragile, blurred and even ruined Penelope it hides, despite everything, a key question of the Kazantzakian text, namely: the strangeness, place of disagreement that moves the modern hero to throw himself on the journey this time without return.
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来源期刊
Byzantion Nea Hellas
Byzantion Nea Hellas Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
0
审稿时长
16 weeks
期刊介绍: Byzantion Nea Hellás, is yearly journal of Greek, Byzantine and Neohellenic studies, founded in 1970. It publishes original scientific research articles pertaining to the domain of Greek studies, in Spanish, Portuguese, French, and English. The aim of the journal is to foster the publication of works by national and foreign researchers working in the three main areas of Greek culture, as well as the academic interchange between researchers and teaching staff who deal with these subjects.
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