{"title":"无法治愈的沉默的悲伤:佩内洛普在卡赞扎基斯奥德赛中的形象","authors":"Flavio Dalmazzo","doi":"10.4067/s0718-84712021000100195","DOIUrl":null,"url":null,"abstract":": This article explores the image of Penelope in Nikos Kazantzakis’ Odyssey , paying special attention to the way her figure contrasts with Odysseus, as can be seen in the first two rhapsodies of the work. Bearing in mind the radical game of identity and difference that the Cretan writer has made on the legacy of Homer, we will finally observe how in this fragile, blurred and even ruined Penelope it hides, despite everything, a key question of the Kazantzakian text, namely: the strangeness, place of disagreement that moves the modern hero to throw himself on the journey this time without return.","PeriodicalId":37902,"journal":{"name":"Byzantion Nea Hellas","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Una incurable pena muda: imagen de Penélope en la Odisea de Kazantzakis\",\"authors\":\"Flavio Dalmazzo\",\"doi\":\"10.4067/s0718-84712021000100195\",\"DOIUrl\":null,\"url\":null,\"abstract\":\": This article explores the image of Penelope in Nikos Kazantzakis’ Odyssey , paying special attention to the way her figure contrasts with Odysseus, as can be seen in the first two rhapsodies of the work. Bearing in mind the radical game of identity and difference that the Cretan writer has made on the legacy of Homer, we will finally observe how in this fragile, blurred and even ruined Penelope it hides, despite everything, a key question of the Kazantzakian text, namely: the strangeness, place of disagreement that moves the modern hero to throw himself on the journey this time without return.\",\"PeriodicalId\":37902,\"journal\":{\"name\":\"Byzantion Nea Hellas\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Byzantion Nea Hellas\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4067/s0718-84712021000100195\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Byzantion Nea Hellas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4067/s0718-84712021000100195","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
Una incurable pena muda: imagen de Penélope en la Odisea de Kazantzakis
: This article explores the image of Penelope in Nikos Kazantzakis’ Odyssey , paying special attention to the way her figure contrasts with Odysseus, as can be seen in the first two rhapsodies of the work. Bearing in mind the radical game of identity and difference that the Cretan writer has made on the legacy of Homer, we will finally observe how in this fragile, blurred and even ruined Penelope it hides, despite everything, a key question of the Kazantzakian text, namely: the strangeness, place of disagreement that moves the modern hero to throw himself on the journey this time without return.
期刊介绍:
Byzantion Nea Hellás, is yearly journal of Greek, Byzantine and Neohellenic studies, founded in 1970. It publishes original scientific research articles pertaining to the domain of Greek studies, in Spanish, Portuguese, French, and English. The aim of the journal is to foster the publication of works by national and foreign researchers working in the three main areas of Greek culture, as well as the academic interchange between researchers and teaching staff who deal with these subjects.