克服沉默女人神话与海明威印第安人营地的双重殖民

Abdelhafid Tahboun
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引用次数: 0

摘要

摘要本文探讨了欧内斯特·海明威《印第安人营地》(1924)中沉默女性神话的对抗性。它审视了自主解放和双重少数民族地位的颠覆性拆除,揭开了女性角色作为表达代理象征的雷鸣般的尖叫的帷幕。为了使这一研究主题具体化,并批判性地诊断其可行性维度,本研究论文将分析解释的焦点放在印度女性女性性格的政治动态、隐含的基础和暗示的文本未说的基础上,作为一个被审视的案例研究。为了深入挖掘隐含在这一文学作品整体文本结构中的意识形态分支和政治含义,本研究将后殖民女性主义视角作为一种解构范式,通过分解和拆解从分解文本中摘录的杂糅内容。为了使所引用的理论框架与其在所考察文本上的相应实际应用之间保持相关的和谐,本文选择了相关的主题见解,这些见解体现了反父权的动荡和反抗的叛乱,揭示了声音作为自我复兴、印度女性次等地位和决策权的恢复性补充的第三空间的概念。这篇研究论文最终得出了一系列明确的结论:a .对大叙事的性别排他模式的战略逆转,将其从厌恶女性的父权制和自上而下的以男性为中心的权力垄断转变为民主平等、政治赋权和表演代理的性别包容愿景。B.男女不对称权力结构构造板块的转型蜕变,以及性别互补的和谐连续体取代了等级结构的男女关系金字塔。C.从以生殖器为中心的歧视的还原论思维转向以女性为中心的反父权哲学。关键词:后殖民女性主义,双重殖民,声音,代理,阴茎中心主义,解放,抵抗。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Overcoming of the Myth of the Silent Woman and Double-Colonization in Ernest Hemingway’s Indian Camp
Abstract   This paper explores the confrontational resistance of overcoming the myth of the silent woman in Ernest Hemingway’s The Indian Camp (1924). It scrutinizes the autonomous emancipation and the subversive demolishment of double-minority status lifting the curtain on the thunderous screams of a female character as an emblem of expressive agency. To thematize this research topic and critically diagnose its feasible dimensions, this research paper casts the spotlight of analytical interpretation on the political dynamics, the implicit underpinnings and the insinuated textual unsaid underlying the female character of the Indian woman as a case study placed under scrutiny. In order to excavate in depth the ideological ramifications and the political implications tacitly embedded in the overall textual fabric of this literary artifact, this current study brings into play the postcolonial feminist perspective as a deconstructive paradigm through decomposing and dismantling a miscellany of excerpted extracts quoted from the decomposed text. To maintain a correlative harmony between the invoked theoretical framework and its corresponding practical application on the examined text, this research paper selects relevant thematic insights that embody the counter- patriarchal upheaval and the defiant insurgency unraveling the notion of the Voice as a third space of self-revival, restorative replenishment of the Indian female subaltern and decision-making power. This research paper culminates in a wide array of clear-cut conclusions: A. The strategic reversal of the gender- exclusive model of grand-narrative shifting it from misogynistic patriarchy and the top-bottom androcentric monopoly of power to gender-inclusive vision of democratic parity, political enfranchisement and performative agency. B. The transformational metamorphosis in the tectonic plates of male-female asymmetrical power structures and the replacement of the hierarchically structured pyramid of man-woman relation by a harmonious continuum of gender complementarity. C. The counter-active shift drifting from the reductionistic mindscape of phallocentric discrimination to the anti-patriarchal philosophy of gynocentric perspective. Key-terms: Postcolonial Feminism, Double-colonization, Voice, Agency, phallocentrism, emancipation, resistance.
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