{"title":"在狂野与天真之间：《漩涡与蛇的拥抱》的互文阅读","authors":"Luz Adriana Garay Cano, Edwin Cubides Serrano","doi":"10.19053/01218530.N40.2021.11630","DOIUrl":null,"url":null,"abstract":"This paper aims a new approach to indigenous representation in literature and cinema through the intertextual analysis between La Vorágine (1924) [The Vortex] and El abrazo de la serpiente (2015) [Embrace of the Serpent]. It is concluded, after a detailed study, that both – the novel and the film, bring a new perspective from the indigenous by means of simplicity as an actual way of being of this important community in Colombia.","PeriodicalId":42123,"journal":{"name":"Palabra","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Entre lo salvaje y la inocencia: lectura intertextual de La Vorágine y El abrazo de la Serpiente\",\"authors\":\"Luz Adriana Garay Cano, Edwin Cubides Serrano\",\"doi\":\"10.19053/01218530.N40.2021.11630\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper aims a new approach to indigenous representation in literature and cinema through the intertextual analysis between La Vorágine (1924) [The Vortex] and El abrazo de la serpiente (2015) [Embrace of the Serpent]. It is concluded, after a detailed study, that both – the novel and the film, bring a new perspective from the indigenous by means of simplicity as an actual way of being of this important community in Colombia.\",\"PeriodicalId\":42123,\"journal\":{\"name\":\"Palabra\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-02-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Palabra\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.19053/01218530.N40.2021.11630\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Palabra","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.19053/01218530.N40.2021.11630","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
摘要
本文旨在通过La Vorágine（1924）[漩涡]和El abrazo de La serpiente（2015）[蛇的拥抱]之间的互文分析，为文学和电影中的土著表现提供一种新的方法。经过详细的研究，得出的结论是，小说和电影都以简单的方式从土著人的角度带来了新的视角，作为哥伦比亚这个重要社区的一种实际存在方式。
Entre lo salvaje y la inocencia: lectura intertextual de La Vorágine y El abrazo de la Serpiente
This paper aims a new approach to indigenous representation in literature and cinema through the intertextual analysis between La Vorágine (1924) [The Vortex] and El abrazo de la serpiente (2015) [Embrace of the Serpent]. It is concluded, after a detailed study, that both – the novel and the film, bring a new perspective from the indigenous by means of simplicity as an actual way of being of this important community in Colombia.
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