生活在病毒文化中

IF 0.3 3区 文学 N/A LITERATURE
SUB-STANCE Pub Date : 2022-03-01 DOI:10.1353/sub.2022.0007
V. Conley
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引用次数: 2

摘要

摘要:在当代文化中,病毒要么被比喻为信息加速传播的标志,要么被贬义地视为破坏我们生活的邪恶或“坏”物体。我认为反对意见没有实际意义。通过斯蒂芬·索德伯格富有先见之明的电影《传染病》(2011)和最近的疫情,我展示了资源开发(尤其是森林砍伐和农业综合企业的不受控制的扩张)是如何忽视人类、动物、植物和无机物纠缠在一起的脆弱环境,以及病毒对生命本身至关重要的。当人类的扩张扰乱了栖息地和栖息地时,病毒就会变得“糟糕”。新冠肺炎的灾难告诉我们,如果我们要更谨慎地生活在我们的多个世界里,我们就必须紧急重新设定我们的生理和道德准则。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Inhabiting a Viral Culture
Abstract:In contemporary culture, viruses are taken either metaphorically, as signs of accelerated transmission of information, or pejoratively, as evil or “bad” objects laying waste to our lives. I contend that the opposition is moot. By way of Stephen Soderbergh’s prescient film, Contagion (2011), and the recent pandemic, I show how exploitation of resources (notably deforestation and uncontrolled expansion of agribusiness), disregards fragile environments in which humans, animal, plants, and inorganic matter are entangled—and in which viruses are vital to life itself. Viruses become “bad” where human expansion disturbs habitat and habitus. The depredations of COVID-19 tell us that we must urgently reset our physical and ethical compasses if we are to inhabit our many worlds with greater care.
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来源期刊
SUB-STANCE
SUB-STANCE LITERATURE-
CiteScore
0.20
自引率
0.00%
发文量
21
期刊介绍: SubStance has a long-standing reputation for publishing innovative work on literature and culture. While its main focus has been on French literature and continental theory, the journal is known for its openness to original thinking in all the discourses that interact with literature, including philosophy, natural and social sciences, and the arts. Join the discerning readers of SubStance who enjoy crossing borders and challenging limits.
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