女性反策展:波兰拿破仑战争重演个案研究

IF 0.3 Q2 HISTORY
Juliane Tomann
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引用次数: 0

摘要

在过去的几十年里,历史重演已经从一个小众现象发展成为一个全球性的现象。作为一种流行的消遣,它激发了演员和观众对过去生活世界的热情和好奇心。由于它的重点是再现战斗和战斗,再现环境主要是男性。本文考察了波兰一个重演团体中女性的重演行为。它的目的不仅是增加现有的关于女性重演者的文献,而且进一步确定策展的概念有助于扩大和深化对一般和女性参与的重演实践的理解的程度。重点是女性对男性的变装,被解释为一种模棱两可的实践,既允许解构规范的性别表演,又允许稳定化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Female Counter-Curation: A Case Study of Polish Napoleonic War Reenactment
Abstract Historical reenactment has developed from a niche phenomenon to a global one over the past couple of decades. As a popular pastime it sparks enthusiasm and curiosity for past lifeworlds among the reenactors themselves as well as among the audiences. With its focus on restaging battles and combat, the reenactment environment is a predominantly male one. This article examines female practices of reenactment in a Polish reenactment group. It aims to not only add to the existing body of literature on female reenactors, but to further pinpoint the extent to which the concept of curation helps expand and deepen the understanding of reenactment practices both in general and with regard to female participation. The focus is on female-to-male cross-dressing, interpreted as an ambiguous practice which allows for both the deconstruction of normative gender performances and their stabilization.
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来源期刊
International Public History
International Public History Arts and Humanities-History
CiteScore
0.40
自引率
0.00%
发文量
12
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