人权、媒体和贸易法视角下的“文化多样性”:交叉受精还是冲突?

Q2 Arts and Humanities
Eleni Polymenopoulou
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引用次数: 0

摘要

在过去二十年中,一些高级别政策会议强调了文化多样性在与国际文化合作有关的所有事项中的重要性。在教科文组织和联合国其他机构范围内谈判达成的文书表明,国际社会对加强文化多样性的战略普遍感兴趣。然而,多样性的概念是一个特别广泛的概念,它基于保护多样性的各种理由,例如促进人权和民主参与;可持续和人类发展;相对于音像服务自由化和自由贸易保护文化产业;促进文化间和宗教间对话;以及保护文化权利和文化遗产。正如本条所述,促进文化多样性本身就是一项值得称赞的事业,也是实现平等的第一步。然而,它的无处不在,再加上它在文化市场上的不精确内容和功能(根据2005年教科文组织《促进文化表现形式公约》),有可能淡化其重要性和有效性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Cultural Diversity” from the Perspective of Human Rights, Media, and Trade Law: Cross-Fertilization or Conflict?
Over the last twenty years, a number of high-level policy meetings have emphasized the significance of cultural diversity in all matters related to international cultural cooperation. Instruments negotiated both in the context of the UNESCO and other agencies of the United Nations demonstrate the pervasive interest of the international community in strategies enhancing cultural diversity. Yet the concept of diversity is a particularly broad one, entrenched on a variety of rationales for its protection, such as the promotion of human rights and democratic participation; sustainable and human development; protection of cultural industries vis-à-vis the liberalisation of audio-visual services and free trade; promotion of intercultural and interreligious dialogue; as well as protection of cultural rights and cultural heritage. As this article submits, the promotion of cultural diversity is a laudable cause in and of itself, and a first step towards achieving equality. Its omnipresence, however, taken in conjunction with its imprecise content and function in the cultural market (in accordance with the 2005 UNESCO Convention on the Promotion of Cultural Expressions) runs the risk of downplaying its significance and effectiveness.
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来源期刊
Santander Art and Culture Law Review
Santander Art and Culture Law Review Arts and Humanities-Visual Arts and Performing Arts
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