大流行时期的目击伦理

IF 0.4 0 LITERATURE
Deniz Gündoğan İbrişim
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引用次数: 0

摘要

个人和公众的见证始终是经历灾难过程中不可或缺的一部分。写作,尤其是文学,是一种强有力的见证形式。本文阅读了若泽·萨拉马戈的《失明》(1995年)和奥尔汉·帕穆克的《当种姓》(1985年),探讨了在流行病和大流行病时期,见证、扩展和深化我们可能以新颖的方式思考见证的概念。通过将这些文本解读为瘟疫和流行病的叙事,本文旨在通过批判性地关注情感、活力、人类和非人类物质性以及其他交流模式在这些小说中的作用,来扩展和挑战见证与言语、见证与视觉之间的联系。Saramago和Pamuk在代表流行病和流行病的同时,我认为,他们都代表了生命、死亡以及“超越人类”的自我与他人之间的关系,这对我们当代对历史、社区和政治的理解具有强大的意义。因此,这些文本创造了一种动态的、非正统的叙事策略,用于联系、连接和叙事其他和更多的人类世界,在传染中受到他律的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Ethics of Witnessing in Pandemic Times
Both individual and public witnessing have always been integral to the process of living through catastrophe. Writing, and particularly literature, is a powerful form of witnessing. Reading José Saramago’s Blindness (1995) in tandem with Orhan Pamuk’s The While Caste (1985), this essay engages with the concept of witnessing, extending and deepening the way we might think about witnessing in a novel way in times of epidemics and pandemics. By reading these texts as narratives of plagues and epidemics at large, this essay aims to expand and challenge the association between witnessing and speech, between witnessing and sight through a critical attention to the role of affect, vitality, human and nonhuman materiality, and other communicative modes in these novels. While representing pandemics and epidemics, both Saramago and Pamuk, I argue, represent life, death, and the relation between self and other “beyond the human,” with powerful implications for our contemporary understanding of history, community, and politics. Thereby, these texts create dynamic, and unorthodox narrative strategy for relating to, connecting with, and narrating other and more-than-human worlds, affected by heteronomy amid contagion.
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来源期刊
Journal of World Literature
Journal of World Literature Arts and Humanities-Literature and Literary Theory
CiteScore
1.90
自引率
50.00%
发文量
23
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