威尔第的皇帝查理五世:文艺复兴政治、哈布斯堡历史与奥意歌剧文化

IF 0.3 3区 历史学 Q2 HISTORY
L. Wolff
{"title":"威尔第的皇帝查理五世:文艺复兴政治、哈布斯堡历史与奥意歌剧文化","authors":"L. Wolff","doi":"10.1017/S0067237823000425","DOIUrl":null,"url":null,"abstract":"Abstract This article considers the figure of Habsburg Emperor Charles V in relation to Italy, first as perceived by Italians in his own time, the sixteenth century, but then especially as evaluated by Italians of the Risorgimento—and notably by Verdi in his operatic work. The article emphasizes opera as a crucial cultural medium of Habsburg engagement with the Italian peninsula and of Italian culture within the Habsburg monarchy. Contemporary Italian evaluations of Charles's role in the domination of Italy were both regretful of his military interventions (including the sack of Rome in 1527) and respectful of his political skills. During the Risorgimento, the conventional Mazzinian perspective was deeply hostile to the Habsburgs and conditioned the wars of Italian unification against the Habsburg monarchy. Italian opera, however, especially Rossini's Guillaume Tell (1829), Verdi's Ernani (1844), and Verdi's Don Carlos (1867) indicate a complex operatic perspective on the Habsburgs in Risorgimento culture. While the Austrian Habsburg representative Gessler is the villain in Rossini's Guillaume Tell, Verdi's Ernani actually places Charles V on stage in a major baritone role with beautiful music and an ambivalent presence. In Don Carlos, the ghost of Charles V hovers over and haunts the whole opera.","PeriodicalId":54006,"journal":{"name":"Austrian History Yearbook","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Verdi's Emperor Charles V: Risorgimento Politics, Habsburg History, and Austrian-Italian Operatic Culture\",\"authors\":\"L. Wolff\",\"doi\":\"10.1017/S0067237823000425\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article considers the figure of Habsburg Emperor Charles V in relation to Italy, first as perceived by Italians in his own time, the sixteenth century, but then especially as evaluated by Italians of the Risorgimento—and notably by Verdi in his operatic work. The article emphasizes opera as a crucial cultural medium of Habsburg engagement with the Italian peninsula and of Italian culture within the Habsburg monarchy. Contemporary Italian evaluations of Charles's role in the domination of Italy were both regretful of his military interventions (including the sack of Rome in 1527) and respectful of his political skills. During the Risorgimento, the conventional Mazzinian perspective was deeply hostile to the Habsburgs and conditioned the wars of Italian unification against the Habsburg monarchy. Italian opera, however, especially Rossini's Guillaume Tell (1829), Verdi's Ernani (1844), and Verdi's Don Carlos (1867) indicate a complex operatic perspective on the Habsburgs in Risorgimento culture. While the Austrian Habsburg representative Gessler is the villain in Rossini's Guillaume Tell, Verdi's Ernani actually places Charles V on stage in a major baritone role with beautiful music and an ambivalent presence. In Don Carlos, the ghost of Charles V hovers over and haunts the whole opera.\",\"PeriodicalId\":54006,\"journal\":{\"name\":\"Austrian History Yearbook\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Austrian History Yearbook\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1017/S0067237823000425\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Austrian History Yearbook","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1017/S0067237823000425","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0

摘要

摘要本文考虑了哈布斯堡皇帝查理五世与意大利的关系,首先是意大利人在他自己的时代,即16世纪所感知的,但后来尤其是意大利文艺复兴时期的意大利人所评价的,尤其是威尔第在其歌剧作品中的评价。文章强调歌剧是哈布斯堡王朝与意大利半岛交往以及哈布斯堡君主制时期意大利文化的重要文化媒介。当代意大利人对查尔斯在意大利统治中的作用的评价既对他的军事干预(包括1527年罗马被洗劫)感到遗憾,也对他的政治技巧表示尊重。在文艺复兴时期,传统的马齐尼主义观点对哈布斯堡王朝怀有深深的敌意,并使意大利统一战争成为反对哈布斯堡君主制的条件。然而,意大利歌剧,尤其是罗西尼的《纪尧姆·泰尔》(1829年)、威尔第的《埃尔纳尼》(1844年)和威尔第的唐·卡洛斯(1867年),表明了对哈布斯堡王朝在文艺复兴文化中的复杂歌剧观。虽然奥地利哈布斯堡王朝的代表人物盖斯勒是罗西尼的《纪尧姆·泰尔》中的反派,但威尔第的《埃尔纳尼》实际上让查理五世在舞台上扮演了一个重要的男中音角色,伴随着优美的音乐和矛盾的存在。在《唐·卡洛斯》中,查理五世的鬼魂在整部歌剧中徘徊。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Verdi's Emperor Charles V: Risorgimento Politics, Habsburg History, and Austrian-Italian Operatic Culture
Abstract This article considers the figure of Habsburg Emperor Charles V in relation to Italy, first as perceived by Italians in his own time, the sixteenth century, but then especially as evaluated by Italians of the Risorgimento—and notably by Verdi in his operatic work. The article emphasizes opera as a crucial cultural medium of Habsburg engagement with the Italian peninsula and of Italian culture within the Habsburg monarchy. Contemporary Italian evaluations of Charles's role in the domination of Italy were both regretful of his military interventions (including the sack of Rome in 1527) and respectful of his political skills. During the Risorgimento, the conventional Mazzinian perspective was deeply hostile to the Habsburgs and conditioned the wars of Italian unification against the Habsburg monarchy. Italian opera, however, especially Rossini's Guillaume Tell (1829), Verdi's Ernani (1844), and Verdi's Don Carlos (1867) indicate a complex operatic perspective on the Habsburgs in Risorgimento culture. While the Austrian Habsburg representative Gessler is the villain in Rossini's Guillaume Tell, Verdi's Ernani actually places Charles V on stage in a major baritone role with beautiful music and an ambivalent presence. In Don Carlos, the ghost of Charles V hovers over and haunts the whole opera.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.60
自引率
25.00%
发文量
58
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信