城市内部戏剧策略

Q2 Arts and Humanities
Petr Kapustin, Rodislava Lesnevska
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引用次数: 0

摘要

大约一百年前,建筑师试图在建筑形式中依靠“表达的诚实”。它涉及到一切,包括建筑之外的东西。这一尝试没有产生令人信服的结果。最初的假设被证明是错误的。建筑与“外部”客观主义的决定渐行渐远:它本身就是意义和情感的来源。这也意味着接受戏剧化作为建筑活动的基本策略,无论使用何种形式和技术。这种策略有几个世纪的历史,包括几种类型,本文对其进行了区分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Стратегии театрализации в городском интерьере
About one hundred years ago, architects attempted to rely on ‘honesty of expression’ in architectural forms. It concerned everything, including things external to architecture. The attempt did not produce convincing results. The initial postulates proved to be false. Architecture becomes estranged from the ‘external’ objectivistic determination: it is the source of meanings and emotions in itself. It also means acceptance of theatricalization as a basic strategy of architectural activity, whatever forms and techniques are used. This strategy has a centuries-long history and includes several varieties, which are differentiated in the article.
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来源期刊
Project Baikal
Project Baikal Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.40
自引率
0.00%
发文量
94
审稿时长
13 weeks
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