{"title":"城市内部戏剧策略","authors":"Petr Kapustin, Rodislava Lesnevska","doi":"10.7480/PROJECTBAIKAL.56.1321","DOIUrl":null,"url":null,"abstract":"About one hundred years ago, architects attempted to rely on ‘honesty of expression’ in architectural forms. It concerned everything, including things external to architecture. The attempt did not produce convincing results. The initial postulates proved to be false. Architecture becomes estranged from the ‘external’ objectivistic determination: it is the source of meanings and emotions in itself. It also means acceptance of theatricalization as a basic strategy of architectural activity, whatever forms and techniques are used. This strategy has a centuries-long history and includes several varieties, which are differentiated in the article.","PeriodicalId":36968,"journal":{"name":"Project Baikal","volume":"1 1","pages":"52-58"},"PeriodicalIF":0.0000,"publicationDate":"2018-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Стратегии театрализации в городском интерьере\",\"authors\":\"Petr Kapustin, Rodislava Lesnevska\",\"doi\":\"10.7480/PROJECTBAIKAL.56.1321\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"About one hundred years ago, architects attempted to rely on ‘honesty of expression’ in architectural forms. It concerned everything, including things external to architecture. The attempt did not produce convincing results. The initial postulates proved to be false. Architecture becomes estranged from the ‘external’ objectivistic determination: it is the source of meanings and emotions in itself. It also means acceptance of theatricalization as a basic strategy of architectural activity, whatever forms and techniques are used. This strategy has a centuries-long history and includes several varieties, which are differentiated in the article.\",\"PeriodicalId\":36968,\"journal\":{\"name\":\"Project Baikal\",\"volume\":\"1 1\",\"pages\":\"52-58\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-08-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Project Baikal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7480/PROJECTBAIKAL.56.1321\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Project Baikal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7480/PROJECTBAIKAL.56.1321","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
About one hundred years ago, architects attempted to rely on ‘honesty of expression’ in architectural forms. It concerned everything, including things external to architecture. The attempt did not produce convincing results. The initial postulates proved to be false. Architecture becomes estranged from the ‘external’ objectivistic determination: it is the source of meanings and emotions in itself. It also means acceptance of theatricalization as a basic strategy of architectural activity, whatever forms and techniques are used. This strategy has a centuries-long history and includes several varieties, which are differentiated in the article.