图中的空白：法国的Fin de Siècle热情

IF 0.4 1区艺术学 0 ART

ART BULLETIN Pub Date : 2022-01-02 DOI:10.1080/00043079.2021.1964832

E. Pernoud

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引用次数: 0

摘要

19世纪的最后25年见证了巴黎艺术爱好者对版画的兴趣激增。人们对每一种印刷品进化的不同阶段，即所谓的“状态”，都有了自己的品味和认识。这一创作过程的一个方面引起了收藏家们的特别兴趣:在创作过程中，版画的部分是空白的。有些版画家特别受人钦佩，他们的作品在那些新出现的构图被白纸打破的状态下受到珍视。克劳德-费迪南德·盖拉德(Claude-Ferdinand Gaillard, 1834-1887)尤其如此。他的作品及其受到收藏家的欢迎是本文的中心内容。

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Blanks in the Figure: A Fin-de-Siècle Enthusiasm in France

Abstract The last quarter of the nineteenth century witnessed a surge of interest in prints among Parisian art enthusiasts. The taste and the knowledge of the distinct stages of each print’s evolution, known as states, were developed. One aspect of this creative process was of particular interest to collectors: the parts of the print left blank in the process of its creation. Some printmakers were particularly admired and their work prized for those states in which the emerging composition was broken up by the white of the paper. This was especially the case with Claude-Ferdinand Gaillard (1834–1887). His work and its reception by collectors are central to this article.

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来源期刊

ART BULLETIN ART-

CiteScore

0.70

自引率

28.60%

发文量

期刊介绍： The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December