公元前4、3千年的“岩洞巨石”现象与拉帕达加林哈(阿尔卡内纳,葡萄牙埃斯特雷马杜拉)的岩石组合

IF 1.1 0 ARCHAEOLOGY
Daniel van Calker
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引用次数: 1

摘要

本研究提出了对位于埃斯特雷马杜拉石灰岩地块的洞穴墓地拉帕达加林哈(Lapa da Galinha)的剥落石制人工制品的分析结果,该墓葬是公元前4至3千年的葬礼实践的典型例子。这次挖掘可以追溯到1908年,由现在的国家考古博物馆的成员进行,结果是一个广泛的祈祷集合,与至少70个墓葬有关。墓葬的明显集体性质、祈祷的集合和在那里确定的仪式强调了其“洞穴巨石”的特征,这一表达仅仅唤起了巨石现象复杂现象的许多方面之一。由于巨石墓葬结构,如天然洞穴,被利用了很长一段时间,要完全收回发生的事件并不容易,但并非不可能。聚焦于剥落的石头人工制品,本文的主要目标是有助于重建该地区新石器时代和铜石器时代社区的信仰体系。因此,遵循先前建立的标准的形态技术标准,以及对人工制品类别的原材料分析,即使在宏观层面上,对于我们提出天然洞穴的葬礼使用的广泛历时性是绝对必要的。考虑到这一点,我们反思了在文本中暴露的物质文化中发生的转变的重要性及其时间意义。但也在这个人工制品类别的真正潜力上作为一种工具来建立一个关于这些葬礼实践固有的象征主义的坚实视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The lithic assemblage from Lapa da Galinha (Alcanena, Portuguese Estremadura) and the “Cave Megalithism” phenomenon in the 4th and 3rd millennium BCE
The present work proposes to present the analysis results of the flaked stone artefacts from Lapa da Galinha, a cave necropolis, located in the Estremadura Limestone Massif, that is a classic example of the funerary practices of the 4th and 3rd millennium BCE. The excavation dates back to 1908, and it was performed by members of the current National Museum of Archaeology, resulting in an extensive votive ensemble, associated with a minimum number of 70 burials. The evident collective nature of the burials, the votive ensemble and the rituals there identified emphasise its “Cave Megalithism” character, an expression that invokes only one of the many facets of the complex phenomenon that is Megalithism. Since the Megalithic funerary structures, such as natural caves, are utilized over a long period of time, it’s not easy- but not impossible- to reclaim in full, the events that took place. Focusing on the flaked stone artefacts, the main goal of this text is to contribute to the reconstruction of the belief system that characterizes the Neolithic and Chalcolithic communities from this region. Hence, the morpho-technological criteria, that followed previously established standards, and raw material analysis of the artefactual categories, even on a macroscopic level, were absolutely essential for us to suggest an extensive diachrony of the funerary use of the natural cave With that in mind, we reflected on the importance of the transformations that occur within the material culture exposed throughout the text and their chronological meaning, but also on the true potential of this artefactual category as a tool to build a solid perspective regarding the symbolism inherent to these funeral practices.
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