Awakening the Serpent King: Ritual and Textual Ontologies in Garhwal, Uttarakhand

In the north Indian state of Uttarakhand, the god Nagaraja, associated with the pan--Indian god Krishna, is an extremely popular deity. However, there exist key disjunctures in how Nagaraja is known, experienced and worshiped in the north Indian state of Uttarakhand by jāgar performers—low--caste ritual specialists, storytellers, and musicians—on the one hand, and high--caste temple priests, on the other. Temple priests were generally dismissive of the practices of the jāgar performers, often re--directing my interest in regional narratives of Nagaraja to the Sanskrit--language Bhagavadgita and Bhagavata Purana (the Gita--Bhagavat), which they saw as authoritative and ‘original' sources of oral and vernacular traditions. This interpretation, however, was highly contested by jāgar performers who articulated a non--essentialist, ritually efficacious, rhetorical, oral and vernacular ‘textual ontology.' Jāgar performers not only critiqued Brahminical notions of textual purity and essentialism but also assumptions within the academic study of Hinduism about the relationship between vernacular religious practices and textual Hinduism, or the so--called Great and Little traditions of Hinduism. By ‘textual ontology,' I describe how different relations to textual authority and knowledge in turn reveal distinctive ways of creating, knowing, and interacting with deities and the world. In challenging priestly and western scholarly notions of text, this article offers a radically different view of textual production, transmission, and authority.