街区上的Nugae:Maffeo Vegio(1407-1458)、Virgil和四世纪早期轻诗上的Polemic

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
B. Mottram
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引用次数: 0

摘要

文艺复兴时期对维吉尔作为史诗、地理和田园诗人的接受研究通常掩盖了维吉尔作为轻松、滑稽诗歌作者的接受。1428年,马费奥·维吉奥(1407-1458)为维吉尔的《埃涅阿斯纪》写了一本补充书,认真地试图完成这部受人尊敬的古代史诗。然而,十年后,维吉奥在精辟和警句中不敬地暗指维吉尔的诗歌,将维吉尔的例子视为诗歌轻浮的理由。这种诗歌琐事的流行引发了维乔和他的文学伙伴们对诗歌礼仪和诗歌道德极限的争议。本文将维吉尔的短诗置于这一文学历史语境中,展示了维吉尔的接受与关于轻诗地位和合法性的激烈争论是如何交叉的。它不仅揭示了维乔的维吉尔典故诗学,而且揭示了文学网络在文艺复兴模仿理论和实践以及诗歌身份建构中的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Nugae on the Block: Maffeo Vegio (1407–1458), Virgil, and the Early Quattrocento Polemic over Light Verse
Studies on the Renaissance reception of Virgil as an epic, georgic, and bucolic poet typically overshadow Virgil’s reception as an author of light, ludic verse. In 1428, Maffeo Vegio (1407–1458) wrote his Supplementum to Virgil’s Aeneid, an earnest attempt to complete the revered ancient epic. A decade later, however, Vegio was alluding to Virgil’s poetry irreverently in distichs and epigrams, regarding Virgil’s example as justification for poetic frivolity. The vogue for such poetic trifles sparked controversy between Vegio and his literary associates over poetic decorum and the moral limits of poetry. This article situates Vegio’s short poems within this literary-historical context, showing how the reception of Virgil intersected with a fierce polemic over the status and legitimacy of light verse. It sheds new light not only on Vegio’s poetics of Virgilian allusion, but also on the role of literary networks in shaping the theory and practice of Renaissance imitation and the construction of poetic identity.
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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