灾难时期的生态现实主义:

N. Zengiaro
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引用次数: 0

摘要

埃雷莫肯被定义为孤独的时代。与其他生命实体相比,孤独是人类的,即动物、植物和矿物:非人类。这篇文章由五张照片组成,这些照片代表了对我们正在经历的危机的五种不同观点。前两张照片虽然代表了现实,但试图象征更深层次的东西,即渗透在我们文化中的意识形态:我们将非人类动物视为代表性物体或象征,而不是主体的观点。第三张和第四张图像代表了地球的观点,从一张描述性的照片到一张规定性的反乌托邦图像。第一个描述源于我们对地球所做的事情,而第二个是规定性的,来自一部反乌托邦电影,它代表了如果我们不改变我们的生活方式,地球会发生什么。第五张图片展示了一种拍摄生态现实主义场景的方式,在这种场景中,我们没有与我们所说的“自然”或其整体生态背景分离。不同的论点将在整篇文章中展示,这些论点将在文章的最后形成一个超越人类想象的现实。结论将试图通过将现实与想象相结合的叙事,将哲学分析引向一个开辟前所未有的新场景的方向。为了拯救生命和非生命,在灾难的时代,有必要找到一种新的多物种想象来构建一种生态现实主义哲学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Eco-realism at the Time of Catastrophe:
The Eremocene is defined as the era of solitude. Solitude is human compared to other living entities, i.e. animals, plant life and minerals: non-human. This article takes its shape from five photographs that represents five different points of view on the crisis we are experiencing. The first two images are photographs that, despite representing reality, try to signify something deeper, that is, an ideology that permeates our culture: our point of view on non-human animals as representative objects or symbols and not as subjects. The third and fourth images represent the point of view of the Earth, starting from a descriptive photograph to a prescriptive dystopian image. The first description emerges from what we are doing to our planet, while the second, prescriptive, is taken from a dystopian film that represents what will happen to the planet if we do not change our way of life. The fifth image shows a way to photograph scenarios of Eco-realism, in which we are not separated from what we call “nature”, or the ecological background in its totality. Different theses will be shown throughout the article that will form, at the end, blocks to build a reality beyond the human imaginary. The conclusion will try to direct the philosophical analysis in a direction that opens up new scenarios never encountered before, through narratives that mix the reality with the imaginary. In order to save life and non-life, in the era of catastrophe, it will be necessary to find a new multi-species imaginary to build an Eco-realist philosophy.
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