来看看我们的宝贝:明星的孩子和童年之间的舒适,庇护,和未来

IF 0.6 3区 社会学 Q3 CULTURAL STUDIES
Eva Maria Schörgenhuber
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引用次数: 0

摘要

本文旨在探讨新冠肺炎大流行期间美国名人子女和童年的表征。它探讨了围绕着名人后代的话语如何在名人语境内外服务于社会和文化功能。儿童在名人家中的曝光率越来越高,通过亲密的表现和幻觉加强了副社会关系,从而建立了亲属关系。此外,本文旨在理解在美国语境中围绕名人子女的话语的更大含义。通过采用Zygmunt Bauman的复古乌托邦概念,我们认为名人孩子的表现可以被看作是现在的理想化版本,让人回想起一个想象的、浪漫的过去。这将根据当前以不稳定的生活条件和国家危机为特征的时刻来解读,COVID-19大流行只是最近的一次。此外,劳伦·伯兰特(Lauren Berlant)的民族感伤思想将被用来表明这些表征也可以被视为未来的愿景。它将展示在叙事和视觉上嵌入的亲密幻觉如何创造一个美化的童年形象,并将童年和家庭构建为一个舒适、避难所,从而成为未来的地方。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Meet our baby: celebrities’ children and childhood between comfort, refuge, and futurity
ABSTRACT This paper aims to investigate representations of celebrities’ children and childhood in the context of the US during the COVID-19 pandemic. It explores how discourses around the famous offspring serve social and cultural functions within the celebrity context and beyond. The increased exposure of children in celebrities’ homes has created kinship ties through a strengthening of parasocial relationships through the performance and illusion of intimacy. Furthermore, this paper aims at understanding the larger implications of discourses around celebrities’ children in the US context. By employing Zygmunt Bauman’s concept of retrotopia, it will be argued that representations of celebrities’ children can be seen as idealised versions of the present which harken back to an imagined, romanticised past. This will be read in light of a current moment that is marked by precarious living conditions and national crises, the COVID-19 pandemic only being the most current one. Moreover, Lauren Berlant’s idea of national sentimentality will be used to show that these representations can also be seen as visions of futurity. It will be demonstrated how narratively and visually embedded illusions of intimacy create a glorified image of childhood and construct childhood and family as a place of comfort, refuge, and thereby futurity.
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来源期刊
Celebrity Studies
Celebrity Studies Multiple-
CiteScore
2.20
自引率
13.30%
发文量
58
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