英玲与当代台湾媒体文化中的女性形象——以《跟随》系列电影为例

Q2 Social Sciences
Grace Cheng-Ying Lin
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引用次数: 0

摘要

本文借助文本分析的方法,对《跟着走》和《跟着走2》中的婴灵形象进行了考察。这部流行的电影恶魔学通过都市传说和民间传说寻找台湾人的身份。在电影中,迎玲被想象成可怜而恶毒的形象。灵性存在有欲望、情感和能动性。这种以胎儿为中心的想象与台湾新近流行的堕胎仪式的宗教话语相呼应。女性被描述为坚定、独立和相互支持。然而,本质主义的性别差异仍然突出,这意味着她们被描绘成母亲,她们的身体通过污染的血液来表现,这是一种过度阴的象征,服务于父系生殖的需要。台湾社会在近代化的过程中,经历了剧烈的变迁,但鬼作为一种挥之不去的过去,持续影响著当下。通过对非理性的调查,围绕着妇女和儿童的现实被重新审视和辩论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Yingling and women imagery in contemporary Taiwanese media culture: The Tag-Along film series as an example
With the assistance of textual analysis, this article examines the images of yingling (spirits of aborted or miscarried foetuses) in The Tag-Along and The Tag-Along 2. This popular cinematic demonology searches for a Taiwanese identity through urban legends and folklore. In the films, yingling are imagined as pitiful and malevolent. The spiritual being has desires, emotions and agency. This feto-centric imagination echoes the religious discourses that frame the newly popularized abortion ritual in Taiwan. Women are depicted as determined, independent and mutually supportive. However, the essentialist sexual differences remain highlighted, meaning that they are portrayed as mothers, and their bodies are represented through polluting blood, a signifier of excessive yin that serves the patrilineal needs of reproduction. During the process of modernization, Taiwanese society experienced drastic changes, yet, the ghost, as the persistent past, continues to impact the present. Through the investigation of irrationality, the reality surrounding women and children is revisited and debated.
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来源期刊
East Asian Journal of Popular Culture
East Asian Journal of Popular Culture Social Sciences-Cultural Studies
CiteScore
0.70
自引率
0.00%
发文量
26
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