记忆的循环:巴海廷·拉赫米·贝迪兹1897-1909年的克里特明信片

Rachel F. Ainsworth
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引用次数: 0

摘要

摘要:本文讨论了在克里特岛坎迪亚工作的土耳其克里特摄影师巴海廷·拉赫米·贝迪兹(1875-1951)的明信片曲目。文章认为,巴哈廷作为一名当地摄影师的作品应该通过米歇尔·汉努什所说的“地中海背景”来审视。“这种方法评估了19世纪末和20世纪初快速变化的地中海地区早期的摄影实践和视觉表现,以及各种政治和文化主观主义网络。通过从地中海背景的角度分析巴哈廷的作品,人们可以从巴哈廷的图像中读出他情感的声音,因为他记录了岛上的激进政治变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Circulation of Memory: Bahaettin Rahmi Bediz’s Postcards of Crete 1897–1909
abstract:This article discusses the postcard repertoire of Bahaettin Rahmi Bediz (1875–1951), a Cretan-Turkish photographer working in Candia, Crete. The article contends that Bahaettin’s work as a local photographer should be examined through what Michèle Hannoosh calls a “Mediterranean context.” This approach evaluates early photographic practices and visual representations alongside the varied networks of political and cultural subjectivities within a rapidly shifting Mediterranean region during the late nineteenth and early twentieth centuries. By analyzing Bahaettin’s work through the lens of a Mediterranean context, one can read Bahaettin’s affective voice within his images, as he documents radical political changes on the island.
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