{"title":"记忆的循环:巴海廷·拉赫米·贝迪兹1897-1909年的克里特明信片","authors":"Rachel F. Ainsworth","doi":"10.5325/MEDITERRANEANSTU.26.1.0026","DOIUrl":null,"url":null,"abstract":"abstract:This article discusses the postcard repertoire of Bahaettin Rahmi Bediz (1875–1951), a Cretan-Turkish photographer working in Candia, Crete. The article contends that Bahaettin’s work as a local photographer should be examined through what Michèle Hannoosh calls a “Mediterranean context.” This approach evaluates early photographic practices and visual representations alongside the varied networks of political and cultural subjectivities within a rapidly shifting Mediterranean region during the late nineteenth and early twentieth centuries. By analyzing Bahaettin’s work through the lens of a Mediterranean context, one can read Bahaettin’s affective voice within his images, as he documents radical political changes on the island.","PeriodicalId":85059,"journal":{"name":"Korea & world affairs","volume":"26 1","pages":"26 - 53"},"PeriodicalIF":0.0000,"publicationDate":"2018-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Circulation of Memory: Bahaettin Rahmi Bediz’s Postcards of Crete 1897–1909\",\"authors\":\"Rachel F. Ainsworth\",\"doi\":\"10.5325/MEDITERRANEANSTU.26.1.0026\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:This article discusses the postcard repertoire of Bahaettin Rahmi Bediz (1875–1951), a Cretan-Turkish photographer working in Candia, Crete. The article contends that Bahaettin’s work as a local photographer should be examined through what Michèle Hannoosh calls a “Mediterranean context.” This approach evaluates early photographic practices and visual representations alongside the varied networks of political and cultural subjectivities within a rapidly shifting Mediterranean region during the late nineteenth and early twentieth centuries. By analyzing Bahaettin’s work through the lens of a Mediterranean context, one can read Bahaettin’s affective voice within his images, as he documents radical political changes on the island.\",\"PeriodicalId\":85059,\"journal\":{\"name\":\"Korea & world affairs\",\"volume\":\"26 1\",\"pages\":\"26 - 53\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-05-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Korea & world affairs\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/MEDITERRANEANSTU.26.1.0026\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Korea & world affairs","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/MEDITERRANEANSTU.26.1.0026","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Circulation of Memory: Bahaettin Rahmi Bediz’s Postcards of Crete 1897–1909
abstract:This article discusses the postcard repertoire of Bahaettin Rahmi Bediz (1875–1951), a Cretan-Turkish photographer working in Candia, Crete. The article contends that Bahaettin’s work as a local photographer should be examined through what Michèle Hannoosh calls a “Mediterranean context.” This approach evaluates early photographic practices and visual representations alongside the varied networks of political and cultural subjectivities within a rapidly shifting Mediterranean region during the late nineteenth and early twentieth centuries. By analyzing Bahaettin’s work through the lens of a Mediterranean context, one can read Bahaettin’s affective voice within his images, as he documents radical political changes on the island.