{"title":"以实玛利的休息和放松之夜","authors":"Rieke Jordan","doi":"10.18422/71-05","DOIUrl":null,"url":null,"abstract":"My article on Moby-Dick explores the juxtaposition of self and other, alienation and community, friendship and leisure. By way of the book’s famous fourth chapter, “The Counterpane,” I argue that repose, conceived as a way of spending time, exposes some of the contradictions of the capitalist dictum of industriousness. The quilt that features so prominently in the chapter is to be underestood as a figure of resting and relaxing, which accumulates a patchwork of additional meanings through Ishmael’s contradictory experiences during the night at the Spouter-Inn with Queequeg.","PeriodicalId":30064,"journal":{"name":"American Studies Journal","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ishmael’s Night of Rest and Relaxation\",\"authors\":\"Rieke Jordan\",\"doi\":\"10.18422/71-05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"My article on Moby-Dick explores the juxtaposition of self and other, alienation and community, friendship and leisure. By way of the book’s famous fourth chapter, “The Counterpane,” I argue that repose, conceived as a way of spending time, exposes some of the contradictions of the capitalist dictum of industriousness. The quilt that features so prominently in the chapter is to be underestood as a figure of resting and relaxing, which accumulates a patchwork of additional meanings through Ishmael’s contradictory experiences during the night at the Spouter-Inn with Queequeg.\",\"PeriodicalId\":30064,\"journal\":{\"name\":\"American Studies Journal\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-09-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"American Studies Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18422/71-05\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"American Studies Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18422/71-05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
My article on Moby-Dick explores the juxtaposition of self and other, alienation and community, friendship and leisure. By way of the book’s famous fourth chapter, “The Counterpane,” I argue that repose, conceived as a way of spending time, exposes some of the contradictions of the capitalist dictum of industriousness. The quilt that features so prominently in the chapter is to be underestood as a figure of resting and relaxing, which accumulates a patchwork of additional meanings through Ishmael’s contradictory experiences during the night at the Spouter-Inn with Queequeg.