废墟中的小说:托马斯·阿莫里的古董主义

IF 0.4 3区 文学 0 LITERATURE
M. McGowan
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引用次数: 0

摘要

摘要:本文考察了托马斯·阿莫里的《英国几位贵妇的生活回忆录》(1755)和《约翰·邦克尔先生的生活与见解》。(1756)作为小说形式的实验。Amory的小说藐视了许多这类小说的中心惯例,比如情节和人物发展,取而代之的是大量的事实、理论、自然历史和古物描述。我认为这些小说提供了一种特殊的形式或虚构的现实主义,不关注特定的人或地点,而是关注对象和思想的一般印象。根据威廉·斯图克利的古物研究,其中包括一个我称之为“狂喜认识论”的模型,它有效地记录了整体的一般意义,而不是废墟的碎片,我读了阿莫里小说的形式特点,作为一种产生关于思想形式的知识的手段。通过给这些想法附加情感——从无聊到崇高的情感——艾默里的小说可以让我们大致了解它们的形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Novel in Ruins: Thomas Amory’s Antiquarianism
Abstract:This essay considers Thomas Amory’s Memoirs of the Lives of Several Ladies of Great Britain (1755) and The Life and Opinions of John Buncle, Esq. (1756) as experiments in the novel form. Amory’s novels flout many of the genre’s central conventions—like plot and character development—and instead present a deluge of facts, theories, and natural historical and antiquarian descriptions. I argue that these novels offer a peculiar sort of formal or fictional realism that attends not to particular people or places but to the general impressions of objects and ideas. In light of William Stukeley’s antiquarianism, which includes a model for what I label an “ecstatic epistemology” that affectively registers a general sense of the whole in excess of a ruin’s fragments, I read the formal peculiarities of Amory’s novels as a means for producing knowledge about the forms of ideas. By attaching feelings to these ideas—feelings that range from boredom to sublimity— Amory’s novels can give us the general sense of their form.
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CiteScore
0.30
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发文量
53
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