早期希腊史诗中的神圣共鸣:空间、知识、情感

IF 0.6 1区 历史学 0 CLASSICS
S. Sansom
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引用次数: 0

摘要

摘要:本文将《荷马赞美诗》478–9中对声音的禁止重新定义为理解早期希腊史诗中声音与神相遇的一个主模式。它认为,根据空间、知识和情感的主题,这些线条代表了神圣的共鸣,即神圣声音的体验。这个框架引导了三个细读:佩内洛普和eidôlon(奥德.4830–4),塔尔蒂比奥斯和野猪(Il.19.249–68),以及阿伽门农和虚假的梦(Il2.35–41)。在这些阅读中,该模型不仅丰富了解释,而且揭示了不同长度的段落可以作为非线性共振电路运行,在其中,神圣的共振预示着神圣的启示。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Divine Resonance in Early Greek Epic: Space, Knowledge, Affect
Abstract:This article reframes the cultic prohibition of sound in Homeric Hymn to Demeter 478–9 as an emic model for understanding sonic encounter with the divine in early Greek epic. It argues that these lines represent divine resonance, that is, the experience of divine sound, according to the themes of space, knowledge, and affect. This framework guides three close readings: Penelope and the eidôlon (Od. 4.830–4), Talthybios and the boar (Il. 19.249–68), and Agamemnon and the false dream (Il. 2.35–41). In these readings, the model not only enriches interpretation but also reveals that passages of varying lengths can operate as nonlinear resonant circuits in which divine resonance anticipates divine revelation.
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来源期刊
CiteScore
1.00
自引率
20.00%
发文量
15
期刊介绍: Founded in 1880, American Journal of Philology (AJP) has helped to shape American classical scholarship. Today, the Journal has achieved worldwide recognition as a forum for international exchange among classicists and philologists by publishing original research in classical literature, philology, linguistics, history, society, religion, philosophy, and cultural and material studies. Book review sections are featured in every issue. AJP is open to a wide variety of contemporary and interdisciplinary approaches, including literary interpretation and theory, historical investigation, and textual criticism.
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