大量的自我

Q2 Arts and Humanities

Cracow Indological Studies Pub Date : 2022-08-18 DOI:10.12797/cis.24.2022.01.03

Talia Ariav, N. Keerthi

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引用次数: 0

摘要

梵文《campya Nīlakaṇṭhavijaya》可以说是Nīlakaṇṭha Dīkṣita最受欢迎的文学作品。它讲述了牛奶海洋搅动的神话故事，强调了Dīkṣita的个人神-Śiva所扮演的角色。仔细阅读就会发现，这篇文章的主题是代理和主体性。故事中的多个角色不是传统的原型。相反，他们生活在共同的世界里，有着截然不同但又相互交织的身份。神、恶魔、蛇甚至毒液都被赋予了非常人性化的传记和社会环境。所有这些传记都流入了名义上的Nīlakaṇṭha，呈现了一个隐含的自我模型。但是这个标题的Nīlakaṇṭha是谁呢?

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Churning Selves

The Sanskrit campū Nīlakaṇṭhavijaya is arguably the most popular literary work of Nīlakaṇṭha Dīkṣita. It narrates the mythical story of the churning of the Ocean of Milk, with an emphasis on the part played by Dīkṣita’s personal god—Śiva. A close reading reveals that this text is preoccupied with themes of agency and subjectivity. The multiple characters of the story are not conventional archetypes. Rather, they inhabit shared worlds and come across as having distinct yet intersecting identities. Gods, demons, snakes and even Venom are given very human biographies and social milieux. And all these biographies flow into that of the titular Nīlakaṇṭha, presenting an implicit model of the self. But who is the Nīlakaṇṭha of the title?

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来源期刊

Cracow Indological Studies Arts and Humanities-Literature and Literary Theory

CiteScore

0.30

自引率

0.00%

发文量