“我的手势够了”?揭露阿尔·戈尔名人行动主义的难以忽视的真相

David Marshall, G. D'cruz, Sharyn McDonald
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引用次数: 1

摘要

目前的工作通过我们用新词“拟人化”描述的过程来质疑阿尔·戈尔作为气候变化活动家的角色:构建/呈现公众角色的行为,以培养公众人物巩固权威声誉的印象。这种居高临下的角色的形成需要三种形式的象征资本的流通:文化、名人和声誉资本,以及旨在建立表演者和观众之间移情关系的公开戏剧策略的表现。2006年,前副总统戈尔发布了获奖纪录片《难以忽视的真相》。这部电影随后成为各种形式的气候变化行动主义的催化剂。本文从我们所说的“不充分”的角度来解读这部电影所进行的矛盾的思想文化工作;也就是说,这些姿态仅仅是为了将个人伦理认同的形成与环境保护主义等公共形式的政治行动主义联系起来而表现出个人能动性。通过仔细阅读戈尔在电影中的人物形象,以及追踪电影的接受和政治功效的研究,本文为环境/科学传播政治的学术研究做出了贡献。最后,我们将对戈尔电影的阅读置于当代背景下,参考《难以忽视的真相》对特朗普政府环境政策的抵制和共谋。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Un Geste Suffit”? Unpacking the Inconvenient Truths about Al Gore’s Celebrity Activism
The present work interrogates Al Gore’s persona as a climate change activist with reference to a process we describe with the neologism “personafication”: the act of constructing/presenting a public persona in order to cultivate impressions that enable public figures to consolidate authoritative reputations. The formation of such a commanding persona requires the circulation of three forms of symbolic capital: cultural, celebrity, and reputational capital as well as the performance of overtly theatrical strategies calculated to establish an empathetic relationship between performer and audience. In 2006, former Vice President Al Gore released the award-winning documentary, An Inconvenient Truth. This film subsequently functioned as a catalyst for various forms of climate change activism. This paper unpacks the contradictory ideological and cultural work performed by the film with reference to what we describe as un geste suffit; that is, those gestures that merely perform individual agency in order to connect the formulation of personal ethical identity to communal forms of political activism like environmentalism. Through a close reading of the presentation of Gore’s persona in the film itself, and research which tracks the reception and political efficacy of the film, the paper contributes to the growing body of scholarship on the politics of environmental/scientific communication. Finally, we locate our reading of Gore’s film within a contemporary context by making reference to the way An Inconvenient Truth is both resistant to and complicit with the environmental policies of the Trump administration.
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