{"title":"拍摄的公众形象:纪录片《审判》中对立的政治","authors":"Sandra Fischer, Aline Vaz","doi":"10.29192/claeh.39.1.4","DOIUrl":null,"url":null,"abstract":"The study deals with the documentary O processo (Maria Augusta Ramos; Brazil, 2018); the analysis focus on the way certain public images were filmed during Dilma Rousseff's impeachment; framing contraries and contradictories instances, verbal and imagetic discourses organize peculiar ways of showing Brazilian politics on the scene. The re-apresentation of the public image in the film reveals that in order to gain control in the given context, a specific social image needs another one to be presented as a counterpoint.","PeriodicalId":40608,"journal":{"name":"Cuadernos del CLAEH-Centro Latinoamericano de Economia Humana","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2020-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Imagens públicas filmadas: a política dos contrários no documentário 'O processo'\",\"authors\":\"Sandra Fischer, Aline Vaz\",\"doi\":\"10.29192/claeh.39.1.4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The study deals with the documentary O processo (Maria Augusta Ramos; Brazil, 2018); the analysis focus on the way certain public images were filmed during Dilma Rousseff's impeachment; framing contraries and contradictories instances, verbal and imagetic discourses organize peculiar ways of showing Brazilian politics on the scene. The re-apresentation of the public image in the film reveals that in order to gain control in the given context, a specific social image needs another one to be presented as a counterpoint.\",\"PeriodicalId\":40608,\"journal\":{\"name\":\"Cuadernos del CLAEH-Centro Latinoamericano de Economia Humana\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-06-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cuadernos del CLAEH-Centro Latinoamericano de Economia Humana\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.29192/claeh.39.1.4\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"ECONOMICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cuadernos del CLAEH-Centro Latinoamericano de Economia Humana","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.29192/claeh.39.1.4","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"ECONOMICS","Score":null,"Total":0}
引用次数: 0
摘要
该研究涉及纪录片《O processo》（Maria Augusta Ramos；巴西，2018）；分析的重点是Dilma Rousseff被弹劾期间某些公众形象的拍摄方式；言语话语和意象话语构成了一种独特的方式，在现场展示巴西政治。电影中对公众形象的重新诠释表明，为了在特定的背景下获得控制权，一个特定的社会形象需要另一个作为对比物来呈现。
Imagens públicas filmadas: a política dos contrários no documentário 'O processo'
The study deals with the documentary O processo (Maria Augusta Ramos; Brazil, 2018); the analysis focus on the way certain public images were filmed during Dilma Rousseff's impeachment; framing contraries and contradictories instances, verbal and imagetic discourses organize peculiar ways of showing Brazilian politics on the scene. The re-apresentation of the public image in the film reveals that in order to gain control in the given context, a specific social image needs another one to be presented as a counterpoint.
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