缺席呈现:哈桑基夫历史小镇的博物馆化,作为“缺席遗产”的表现

IF 0.5 3区 艺术学 0 ARCHITECTURE
Pınar Aykaç
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引用次数: 0

摘要

摘要2020年,Ilısu大坝水库的河水到达土耳其东南部的历史小镇Hasankeyf。尽管公众强烈抗议,“新Hasankeyf”已经在这座历史悠久的小镇上建造完毕,其中包括一座露天博物馆。露天博物馆由一个文化公园、一座新的博物馆建筑和一个考古公园组成,展示了从历史城镇转移过来的一些纪念碑,以及展示哈桑基夫建筑和日常生活的博物馆展览。土耳其当局的主要动机是通过城市化和建筑、露天博物馆和博物馆展览的叙事来“展示”曾经活着的哈桑基夫。这篇文章讨论了博物馆化是如何被用作一种策略来调和反对派对失去一位曾经活着的哈桑基夫的不满,以及新的露天博物馆实际上是如何缺席的,不断提醒人们正在失去什么。文章概述了在露天博物馆中转移和展示历史古迹、碎片和文物的方法和策略,认为哈桑基夫的博物馆化是失落遗产的明确表现,应该被视为“缺失遗产”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Absent Presents: musealisation of the historic town of Hasankeyf as a manifestation of ‘Absent Heritage’
ABSTRACT In 2020, the waters of the Ilısu Dam Reservoir reached Hasankeyf, a historic town in the southeast of Turkey. Despite the public outcry, the ‘New Hasankeyf’ had already been constructed across the historic town, including an open-air museum. Comprising of a cultural park, a new museum building and an archaeological park, the open-air museum presents some of the monuments transferred from the historic town together with museum displays exhibiting Hasankeyf’s architecture and everyday life. The main motive of the Turkish authorities was to ‘presence’ the once-living Hasankeyf through the urbanism and architecture, its open-air museum, and the narratives of museum displays. This article discusses how musealisation has been used as a strategy to conciliate the opposition for the loss of a once-living Hasankeyf and how the new open-air museum is in fact an absent presence, a constant reminder of what is being lost. By outlining the approaches and strategies used to transfer and present historic monuments, fragments, and artefacts in the open-air museum, the article argues that the musealisation of Hasankeyf is a clear manifestation of lost heritage, which should be regarded as ‘absent heritage’.
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来源期刊
CiteScore
1.60
自引率
12.50%
发文量
19
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