本·马库斯与蕾妮·格拉德曼对酷儿叙事形式的思考

IF 0.5 2区 文学 0 LITERATURE
NARRATIVE Pub Date : 2022-09-29 DOI:10.1353/nar.2022.0052
E. Mccallum
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引用次数: 0

摘要

摘要:本文旨在通过对可能的酷儿叙事形式的推测,重新构想我们的叙事和酷儿理论。我从这个问题的三个方面开始:塑造酷儿理论的文学档案,最近开始努力解决其与酷儿理论交叉的叙事学档案,以及新的酷儿叙事,通过格雷戈里·布雷德贝克对新叙事以及同性恋和酷儿叙事、叙事和反叙事之间的区别的讨论。从理论框架来看,我仔细阅读蕾妮·格拉德曼(Renee Gladman)的《狂欢者》(the Ravickians)和本·马库斯(Ben Marcus。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Thinking through Queer Narrative Forms with Ben Marcus and Renee Gladman
ABSTRACT:This essay aims to reimagine our narrative and queer theories by speculating on possible queer narrative forms. I start from three facets of this problem: the literary archive that has shaped queer theory, the narratological archive that has lately started grappling with its intersection with queer theory, and new queer narrative, via Gregory Bredbeck’s discussion of New Narrative and the distinctions between gay and queer narrative, narrative and antinarrative. From the theoretical frameworks, I turn to a close reading of the remarkable experimental narratives of Renee Gladman’s The Ravickians and Ben Marcus’s Age of Wire and String to show how not all experimental narratives are queer, or even New Narrative, but some open up remarkably queer possibilities.
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来源期刊
NARRATIVE
NARRATIVE LITERATURE-
CiteScore
1.10
自引率
0.00%
发文量
54
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