福特主义的消亡与劳动纪录片中的家庭工资:一个女性主义的分析

IF 0.9 Q3 COMMUNICATION
Kathryn A. Cady
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引用次数: 0

摘要

本文分析了1989年至1991年上映的三部劳工纪录片,这些纪录片描述了美国从福特主义经济向后福特主义经济的假定转变。女性主义文本分析侧重于《罗杰和我》、《美国梦》和《快餐女人》中对工作场所和性别角色的描述。分析表明,只有当人们审视主要由白人主导的美国劳动力市场的一部分时,背景下关于划时代变革的论述才是正确的。对女性性别类型劳动的关注表明,后福特主义时代的工作场所仍然存在着工业福特主义最糟糕的元素。长期存在的性别分工在后福特主义时期的工作中被明确地重复,并在关于家庭工资的讨论中得到加强。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Death of Fordism and the Family Wage in Labor Documentaries: A Feminist Analysis
This paper analyzes three labor documentaries released from 1989 to 1991, which depict the United States’ assumed transition from a Fordist to post-Fordist economy. Feminist textual analysis focuses on the depiction of workplaces and gender roles in Roger and Me, American Dream, and Fast Food Women. The analysis demonstrated that discourses of epochal change in the context only held true if one looked at a slice of the U.S. labor market largely dominated by White men. Focusing on feminine sex-typed labor demonstrated the worst elements of industrial Fordism remained in post-Fordist workplaces. Long-standing sexual divisions of labor were unambiguously repeated in post-Fordist work and intensified in a discussion of the family wage.
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来源期刊
CiteScore
2.90
自引率
11.10%
发文量
53
期刊介绍: The Journal of Communication Inquiry emphasizes interdisciplinary inquiry into communication and mass communication phenomena within cultural and historical perspectives. Such perspectives imply that an understanding of these phenomena cannot arise soley out of a narrowly focused analysis. Rather, the approaches emphasize philosophical, evaluative, empirical, legal, historical, and/or critical inquiry into relationships between mass communication and society across time and culture. The Journal of Communication Inquiry is a forum for such investigations.
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